“Cancer shouldn’t be a death sentence. It isn’t a death sentence in the West; why should it be one in Sierra Leone?”
Who’s asking? Her name’s Cremelda Pratt, and she’s the founder of Thinking Pink: an NGO dedicated to fighting breast cancer in Sierra Leone.
A Business Administration graduate with a major in Marketing, Cremelda lived in the USA and worked for the Federal National Mortgage Association (‘Fannie Mae’) until a trip home for a holiday in 2008 set her on a new path.
“I’d travelled via Accra,” she recalls. “I noticed that there was a lot of breast cancer awareness in Ghana, just as there was back in the US. But when I arrived in Sierra Leone, there was nothing. And yet I knew that friends of mine had died from breast cancer.”
In 2012, Thinking Pink’s office opened in Freetown’s city centre. In its first two years, some 3,000 women (and a handful of men) walked through their doors. More than half of them had some form of breast cancer.
“We saw girls as young as 12 and 13 with lumps,” Cremelda says. “A 21-year-old had a mastectomy with no reconstructive surgery. Losing a breast is a big deal. And dealing with that with no reconstructive surgery or even a mastectomy bra is devastating. I’d see the tears every day, and I’d cry with them.”
And then Ebola hit. “Breast cancer basically got ignored during the Ebola outbreak,” Cremelda says. “Early detection became late detection; late detection became death. Since the outbreak ended, we’ve been seeing three to five people a day. We’ve noticed a surge amongst younger women; we’re seeing a lot of college students. A lot of teenagers too.
“I want to see a day when we have a dedicated cancer hospital, rather than the current situation where we only have one mammogram in the whole country, no oncologists, and cancer patients are in general wards in our main hospitals. We want to see palliative care happen too. Why should women suffer and die worthlessly? If we had a palliative care centre, at least people would have their dignity up until death.”
The challenges Thinking Pink faces are enormous. When I first met Cremelda (in 2014, in the very early days of the Ebola outbreak), Thinking Pink had a staff of five – including a patient liaison officer who was a breast cancer survivor herself. They’re now down to three. “I’ve had to drop people because there aren’t enough funds to pay wages,” she says, “and I’ve dipped too deeply into my widow’s mite. Without help to sustain the foundation, we might have to close doors. I could go back to the US, but where would these women go? We trust that things will turn around – but it’s on all of us. In Sierra Leone, women make up 51 percent of the population. We’ll keep knocking on doors, and hope that someday soon, somebody will hear us.”
I know I haven’t done one of these for a while. It’s not because I ran out of famous Sierra Leoneans to write about or anything like that; it’s just… [Save the explanations and get on with it, mate]
If you follow the UK charts, then you probably know that Duke Dumont‘s club hit ‘Need U (100%)’ unseated Ant & Dec’s ‘Let’s Get Ready to Rhumble’ from the Number One slot yesterday (7 April). Guest lead vocalist on the song is the rising singer songwriter Aminata “Amy” Kabba, aka A*M*E*. So, who exactly is this young lady who’s helped rescue the charts from the tyranny of PJ & Duncan, I hear you ask?
Well, she was born in Freetown in 1994 – three years after the Sierra Leone civil war started, and three years before it hit Freetown. Her mum was a hairdresser with her own salon; as the war intensified, the salon was burnt down and Amy (then only eight) moved to the safety of the UK.
In her new home, she joined her school choir. From there, she spread her creative wings, linking up with another singer-songwriter, MNEK. One of their collaborations (a song called City Lights) caught the attention of Gary Barlow, who ended up signing her to his label, Future Records.
Hmm, sounds like a plan. Yeah, I know everybody says that, but trust me – I for one will be glad to see the back of this year. And this decade. In fact, the whole century can jump off a bridge. Like I had to in order to save my life. Only without the surviving bit at the end of it.
Sorry – didn’t see you there. Been a bit preoccupied with my own thoughts. A bit too much for a 16-year-old, I’m told. But then, being a war orphan kind of forces you to grow up faster than one would like to. And then something big comes along and hits you, and you realise that you’ve only partly grown up…
But I digress again. Where are my manners? Hello – my name is Braima. Braima Sesay. Braima William Sesay. Please don’t ask how I ended up with William for a middle name; it’s kinda embarrassing. Let’s just say it involves a future King of England and leave it at that, shall we? You can probably tell from my accent that I’m not originally from round here. Actually, I’m not even sure what my accent sounds like now. There’s a bit of London in there, because this is now my home. The odd palabra might slip in, because I’ve kind of been adopted by some friendly Colombians. Long story – but as no-one can afford to bail me out right now, I think I’ve got enough time on my hands in here to share it with you…
So let’s rewind back a year or two – and go back to a little village just outside Makeni. That’s in Sierra Leone. You know, where Ryan Giggs’ granddad came from. In Africa. You didn’t know that? Actually, half of Sierra Leone’s population supports Man U, and I’m sure not all of them know that either. Sorry, floating off point again. Me – two years into secondary school; loving English a lot but loving Chinese films even more. I regularly kekked – sorry, I’m in England now; I mean I regularly bunked off school to go and see them. It was just what you did. If you had to choose between simple equations and Jackie Chan, who would you go for? Seriously!
I got my love of Chinese films from my father, I think. Well, I guess I must have. We never talked about them at first, but when he found out I was a fan, that was it. We had something we could bond over. Which was good because he’s from the other half of Sierra Leone’s population (the half that supports Arsenal). My dad worked in a bank. I think he would have liked me to do that too, but I’ve always wanted to be an engineer. Maybe I still will. My dad loved his palm wine; he loved his friends; he loved my mum, and he loved the BBC World Service. And like me, he loved Chinese films. I discovered my dad shared my love of Chinese films the day my mum caught me going to one when I should have been in school. Of course, kekking – sorry, force of habit. Bunking off – is a gamble. And I lost big time the first time I did it. I had to choose the day my mum decided to do a mid-week food shop in the market just next to the cinema! Woman dragged me home by my left ear. I do miss her…
When she wasn’t using my left earlobe as a pulling handle, my mum was the best. I suppose she was still the best even when she was – I mean, I shouldn’t have allowed myself to get caught, should I have? Fatmata, her name was. Shorter than me. So much so, that her arm hurt her more than my ear hurt me that day she dragged me home from the cinema. It wasn’t so much me walking with my head down as her walking with her arm up. It goes without saying that the first words she said to me after letting go of my ear were “Wait until your father gets home.” And I did, expecting a fate worse than death. I felt like a cockroach as I stood in the middle of our parlour while mum recounted the afternoon’s proceedings to my dad. Then she left the two of us alone in the parlour and went off to attend to some other business. Me and Dad alone in the parlour. “Tense” doesn’t even begin to describe it…
But to my surprise, the expected beatdown never came. Instead, my dad sat me down and asked me, “So who’s your favourite Chinese film actor?” I would have pinched myself – but as I could still feel the extended ear pinch inflicted on me by my mum, I knew I couldn’t be dreaming. Dad and I talked for ages about the Chinese films we’d seen; he told me about the old-school masters from the films he saw when he was my age: Wang Yu, Carter Wong, Sonny Chiba… and the master of them all – Bruce Lee. That day, he promised that we would both watch all Bruce Lee’s films together. And then – more out of husbandly duty than anything else – he said, “and don’t do that again.”
I’m not sure how my mum would have reacted if she knew that he hadn’t beaten me as she’d hoped he would. But I’m not mad at her. I can’t be; she’s my mum. Was my mum. She was lovely. You haven’t eaten ‘casada leaf’ until you’ve eaten it cooked by my mum. And she always cooked it in a pot the size of a bathtub because of the open door policy she and my dad had going on. Anyone could come in and eat. And somehow there was always enough, and even though times were hard the pot was never empty.
When I meet God – if I do – he’s going to have to explain why the nastiest things always happen to the best people. With a diagram. Actually, on second thoughts, I’ve seen enough graphic nastiness to last a lifetime, so I’ll pass on the diagram. But I definitely do want to ask him what kind of loving deity allows one’s home country to be overrun by vicious rebels who ransack whole villages, make people choose how much of their limbs they want chopped off, and then force children to watch their parents being murdered and their mothers being raped – just before carting them off to be stuffed full of drugs and sent off to inflict the same sort of nastiness on other innocent people.
That’s my story – well, part of it. The ‘rebels’ stuck a load of us kids in the back of a Land Rover – me and some of my friends from school and boys who were my neighbours. I have no idea where they were planning to take us to, but by the time we got to Lunsar, I knew I had to escape. So I waited until the Land Rover got to this rickety old bridge. And when it was halfway over the bridge, I jumped.
What happened next is kind of a blur now. Well, actually it isn’t – but I’ve decided that I’m going to write a book about my life when I do get out of here, so I can’t give away all the juicy bits just yet! But to summarise, I lived on the goodwill of strangers as I trekked all the way out of sierra Leone to Guinea, where I ended up in a refugee camp. Then by some very good fortune – or so I thought at the time – I managed to make contact with an uncle of mine in London. I came over here and lived with him for a while – and that brought a whole heap of its own problems. Long story short, Uncle threw me out of his house. And then so did another uncle. And another one. And another one. And just when I’d run out of uncles with homes for me to be ejected from, I bump into this kind, friendly Colombian man and his son. Their family gave me a home and I started to get back on my feet. Found a job in a fast-food restaurant. Got some college applications in. Bought a Man U shirt from a stall in East Street Market. Discovered it wasn’t genuine. Also discovered that Millwall fans don’t like it when you walk down Ilderton Road wearing a Man U shirt, real or fake. Rescued by an angel. Then I caught my total toe-rag of a manager unawares in the middle of making a very troubling phone call. Next thing I know, I’m being accused of having my finger in the till and I’m given the sack. And then Toe Rag Manager winds up dead, and the Police think I killed him.
Of course I didn’t do it. I wasn’t even in the country when it happened – oops, I’ve already said too much. I could tell you where I was when the murder took place, but if I did that, I might as well just go ahead and phone the men in white coats myself, and give them all the measurements they’d need for my padded cell. Yes, it is that unbelievable. But it’s all true.
So I reckon I’ll be in here for a while, unless some miracle happens…
Africa Oyé 2011 Sefton Park, Liverpool, 18-19 June
Liverpool’s African music festival has become a key event in my calendar. It’s a chance for me not only to hear great music and gather material for the Sounds of Africa show I produce, but also an opportunity to socialise and hang out with a few other World Music media types who’ve become friends of mine over the years we’ve all been attending the festival: people such as Geli Berg (a radio broadcaster and organiser of the Cultural Collage World Music festival in Manchester), and Maya Mitter of One Latin Culture. Sure enough, there were hugs all round when we caught up with each other.
On Saturday afternoon I arrived at Sefton Park just as the first act of the day was being introduced. Mariem Hassan is incredible singer from the Western Sahara, accompanied by a pair of guitarists who played the blues with an unbelievable passion. Mariem was my first interviewee of the day, and set the pattern for how most of the rest of the day’s interviews would go; after agonising between her manager/interpreter (who’s German) and myself, I discovered that she spoke fluent Spanish and so I ended up interviewing her en Español. As Saturday progressed, language barriers proved to be more a source of amusement than a hindrance – especially when Maya, Geli and I did an interview en masse with the Ganbgé Brass Band.
The band had a couple of members who spoke English, and at least one of us doing the interviewing spoke French. The ensuing interview was hilarious – but definitely gave you a sense of how the guys had become brothers purely by having played together for years and years. Questions and answers in English and French flew back and forth. The band talked to us about playing in the Shrine in Nigeria (they’re all big Fela fans, and covered his song ‘Shakara’ during their set). When Maya suggested to one band member that the easiest way for him to learn English would be for him to get an English girlfriend, the tent erupted with laughter.
The legendary Angolan singer Bonga was also good fun. Again, we agonised over how to do the interview – and suddenly we discovered that one of the women on the Africa Oyé team was Brazilian and spoke perfect Portuguese! Problem solved! Maya and I were able to have a good chat with Bonga about what happens when the worlds of Angolan culture and politics clash – as they often do.
Amkoullel (aka “the Fula Child”) is an upcoming young rapper from Mali, who uses traditional Malian instruments in his music. A very profound guy and a great interview. He did some workshops on the Saturday and performed on the Sunday.
This year’s Africa Oyé featured quite a few of the female singers (young and not-so-young) who are championing the cause of African women through song, and winning loads of friends and admirers with the
charm and humour with which they do it. The Cameroonian singer Kareyce Fotso was one such person. Embracing her acoustic guitar and playing a variety of percussion instruments, she charmed the crowd in no time. When Maya and I interviewed her afterwards, she told us the heartbreaking story of her elder sister’s forced marriage – one of the many issues she talks about in her songs.
Fatoumata Diawarafrom Mali was another one. I’d already seen her twice before – first as support for Staff Benda Bilili’s London gig, then at a showcase in an Islington pub called the Slaughtered Lamb (I kid you not!). On both those occasions, it had been just her with her guitar. This time she was with a band (and without the green tights that have kind of become her trademark),
and it was a whole different dynamic. She danced, she spun, she jumped… the energy coming off the stage could power a small city for a week. When I interviewed Fatoumata afterwards, she told me how Nick Gold (her producer – the man responsible for such World Music classics as the Buena Vista Social Club) had said he wanted the public to see all her different sides. Fatoumata (a former actress and one-time backing singer for Oumou Sangare) is another young African woman dealing with some of the heavy issues that affect African women, but doing so in a manner that invites people to join in with her.
It’s always a gamble recording interviews during Africa Oyé, as quiet locations for interviewing are very hard to come by. Listening to my recorded interviews later, I was glad to see that my “keep the record level low and the mike very close to the subject” strategy had worked – especially with Fatoumata’s interview, which we did whilst Marcia Griffiths‘ extremely loud band were on. We could hardly hear ourselves while we were doing the interview. But on the recording, Fatoumata came through crystal clear while the booming reggae basslines were distant enough not to be a problem. Yay for technology…
There was one point on Saturday afternoon when thought we were going to get washed out. But the very brief drizzle over Sefton Park was just nature messing with our heads (naughty nature!). The weather on Sunday held up even better than the previous day, give or take the odd occasion earlier on when the temperature dropped slightly and it got a bit windy. My first interview of the day was with Damily from Madagascar (with the help of a French interpreter), while the first act to perform was Steven Sogo from Burundi, with his band Hope Street. I interviewed Steve after his set, and he told me how some church musicians had taught him how to play guitar and bass. He’s only been making music a few years, but has already won an armful of awards from all over Africa.
The unscheduled interview of the day happened while I was watching (and occasionally photographing) the Ethiopian singer Zewditu Yohanes from the photographers’ pit in front of the mainstage. The set ended, and this lady who’d been standing next to me and simultaneously shooting the gig on a camera and a smartphone handed me a card as she walked past towards the backstage area. It read, “Princess Emmanuelle: the first Egyptian female rapper.” I wasn’t going to let anyone with such a claim to fame slip away, so I followed her and asked if she’d do a quick interview. Turns out she’d remembered my face from years ago, when she was on the performance poetry circuit and doing gigs with Soul artists such as the Escoffery Sisters. She was here as part of Zewditu’s team, and promised to help me get an interview with her if I was having any trouble. Funnily enough, so much stuff happened during the day, I ended up not being able to interview Zewditu – which was a shame, because she and her band and dancers put on an awesome show. But never mind…
The other act I didn’t see as much of as I should have was Khaira Arby from Mali. The little I did see of her set was amazing, though; another strong woman roaring on behalf of African women.
After interviewing him yesterday, this afternoon I got to see Amkoullel in action twice – performing on stage, and teaching a hip hop workshop. The audience at the workshop was made up mostly of young children who’d clearly taken to heart Amkoullel’s advice to rap about their lives and what was important to them; one little lad came up with the rhyme “Sometimes I wear a hoodie. But I’m not a baddie; I’m a goodie.”
Meeting the Sierra Leone Refugee All-Stars was definitely the high point of the second day for me. It was like a family reunion – even though we’d never met before! I interviewed two of the band members, Reuben Koroma and Ashade Pearce; between the three of us, we set all Sierra Leone’s problems to rights (as you do!); we discussed music, education, development and a million other issues, and I finally got some concrete answers to a question I’d been burning with since my trip to Freetown two months earlier: why had the All-Stars (easily the biggest band to come out of Sierra Leone in the last 10 or so years) not been a part of the 50th independence anniversary celebrations? (Let’s just say it wasn’t because they hadn’t wanted to take part). I missed their set because I had to catch a train back to London (the train I’m on right now, writing this). But phone numbers and email addresses have been exchanged, so I’ll be updated whenever the guys are in London.
And that was Africa Oyé 2011: a glorious two days of colour, vibrancy and brilliant artistry. Next year, the festival celebrates its 20th birthday. I can hardly wait…
You’d have to be seriously brave (or just mental) to try to set all Africa’s issues straight in two hours. But that’s basically what Patrice Naimbana sets out to do in the one man show which won him an Edinburgh Fringe First award (on tonight in London’s Cockpit Theatre, as part of the Pentecost Festival).
The Man Who Committed Thought is utterly compelling. Playing multiple characters (a poor man whose cow is stolen from him; the corrupt politician responsible for stealing the poor man’s cow and more; the rebel who seizes power and the honest but flawed lawyer referred to in the show’s title, to whom the poor man turns in his quest for justice), Patrice talks us through the troubled history of a fictional African nation called Lion Mountain.
Well, I say fictional. The handful of Sierra Leoneans in the Cockpit Theatre knew all too well whose stories were being told here. The rest of the audience weren’t left out, either; the beauty of Patrice’s series of monologues is the way he keeps it topical and fresh by absorbing so much of what’s current and relevant to wherever he might be performing. so tonight there are references to everything from Bin Laden to Britain’s Got Talent.
Underneath all that, there are bigger questions being asked. Naimbana challenges his audience to look at all the grey there is in issues of social justice. There is a tension at the heart of the show; between the righteous anger at the Europeans who brought “Gonorrhoea and Jesus” to Africa (to quote Fela Kuti) and a respectful acceptance of the message of good news to the poor and dispossessed that that Jesus preached. Patrice packs enough humour into the show to ensure that it never gets preachy or sounds like an “angry brother” having a rant.
After the show, Patrice spent another half hour answering questions from the audience, during which time he told us about his father – a lawyer who took on many poor people’s cases for no pay, and whose stories were the inspiration for the show’s lead character. That was every bit as engaging as the show itself, and continued in the bar afterwards.
Should you ever decide to visit Freetown soon, be sure to stop at the Caribbean Fusion café on Sanders Street at some point. Best food in Sierra Leone (yeah, I know; the owner’s an old family friend. I’m biased. But that doesn’t make the statement any less true). Pop in, say hi to Valerie (that’s her on the left), have some of her food… and tell her George sent you.
All the years I lived in Sierra Leone, I was a spoilt city boy who rarely ventured out of Freetown. We had an uncle who worked as an air traffic controller at Lungi Airport, whose family we visited frequently, and my mum worked at the hospital there for a while, so we would always go and see her. But that was about sum total of my trips “upline” (Sierra Leoneans’ technical term for just about anywhere outside Freetown).
I probably wouldn’t have ventured out of Freetown this time round either, were it not for an email from a friend in the USA. I’ve known Paul Neeley for a few years now; we met initially via World Beat (the world music show I used to present on UCB). Paul emailed me to ask if I’d take some time out of my trip to go and visit the headquarters of Women of Hope International – a charity he’s involved with, based in Makeni.
Sierra Leone is divided into four provinces, although it’s only the northern, southern and eastern ones that are called provinces. The western one (where Freetown is located) is known simply as the ‘Western Area’ – but then it is tiny compared to the other three. Makeni is situated about 110 miles east of Freetown (well, most of Sierra Leone is east of Freetown. It’s that ‘Western Area’ thing). It’s Sierra Leone’s fifth largest city, and the capital of Bombali District in the Northern Province.
My old flatmate was the first to reassure me that the trip was easily doable. “You can do it in a day. It’s just three hours’ drive there and three hours back.” Another friend, Valerie (see next blog post), also egged me on to go when I was wavering. Finally, I emailed Kelsey Martin (Women of Hope’s US Programme Assistant, whom Paul had linked me up with) and said I’d try to come up to Makeni on Wednesday, the only free day I had left. The crucial thing for me was that I had to be there and back in a day. However, the Sierra Leone Road Transport Corporation only runs one bus there a day – at 6.00am. I could get there, but would have to wait until the following morning before I could come back. I did have an invitation to stay the night at Women of Hope’s guesthouse, so that wasn’t a problem. But nobody could tell me what time the bus back to Freetown was.
I left home just before five on Wednesday morning, and walked to the SLRTC’s bus station. It was still dark, and rather disconcerting to see the streets of Freetown so empty. Still, empty streets meant that this ‘JC’ could walk without being stopped every 10 seconds and asked if he had any £ or $ he wanted to change, so I made the most of it.
Getting a bus proved to be a total fiasco. According to signs posted all over the bus station, a ticket to Makeni costs 13,000 Leones. None of the buses terminate there, so you have to get the Kabala bus and get off at Makeni. Cool – but when I went to buy a ticket, I was told I had to pay the full Kabala fare (27,000 Leones)! Then when I tried to do that, I was told that there were no tickets and the bus was full. All this after waiting over an hour for the thing to arrive!
While waiting for the bus, I’d been talking to a couple of fellow travellers – in particular this one old man with two white plastic buckets in his hand, who was also waiting for the Kabala bus. After failing to get on the bus, I was ready to pack it in and go back home. The old man wasn’t having it. “Don’t worry,” he said encouragingly. “There are loads of vehicles we can get a ride with; we just need to go to Shell. Come on!” So I walked with him, having completely forgotten where “Shell” was! The old man was a brisk walker; before I knew it, we were at the East End Police station, where we hopped onto a poda-poda headed for Wellington.
We got off the poda-poda at the Shell petrol station in Kissy where, true to the old man’s word, minibus drivers were packing in passengers for journeys out to the provinces. I thanked the old man and signalled to the first person I heard calling for passengers to Makeni. A tall guy in a T-shirt came along and ushered me towards the front seat of a gold Chrysler Voyager.
We set off for Makeni at around 7.30am; me in the front seat with a lady and a little toddler on her lap seated between the driver and myself, an assortment of men, women and children in the back, and Beyonce, Rihanna and several random generic ‘urban’ acts repeated endlessly on the Voyager’s auto-reverse cassette player. The journey was smooth for the most part. However, our driver had seen fit to take more passengers than the number he was legally allowed to, and so he was stopped (and subsequently relieved of a few thousand Leones) at every single Police checkpoint we came to. Shortly after we reached Lunsar (the halfway point of the trip), my Comium mobile rang. It was Kelsey, asking if I had decided to come to Makeni. I told her I was on my way, and we arranged for her to collect me when I arrived.
Shortly after 10.00am, we arrived in Makeni. The vehicles that do this trip use the first NP petrol station as their terminal point, but our driver continued past it, further into town. I was looking for a suitable landmark at which to disembark when a white van with the Women of Hope logo drove in the opposite direction and stopped. I got off and took out my mobile to tell Kelsey she’d just driven past me. We had one of those “Hey! I can see you; I’m over here! I’m the one waving!” conversations; she drove up to where I was; I got into the van and she explained that one of their employees had also just arrived from Freetown and she’d come to collect her. Turns out the lady who’d been sitting next to me in the Chrysler Voyager worked for the very people I was going to meet! Her name was Rebecca and she had been in Freetown with her grandchildren for a few days, attending a family wedding. She does general housekeeping at the guest house, and wasted no time getting lunch ready whilst Kelsey told me all about herself and Women of Hope’s work.
Kelsey is originally from Seattle but recently relocated to Memphis (Women of Hope’s base back in the US is in the South). She’s spent quite some time in Sierra Leone getting things off the ground, and says she’s started to think of Makeni as home. Women of Hope was started by a group of American women who had links to Sierra Leone in one form or other, led by Kim Kargbo, a missionary kid who’s now a missionary herself and married to a Sierra Leonean. Kim had set up three NGOs in Sierra Leone prior to Women of Hope; the idea for Women of Hope came about out of the realisation that most of the NGO/charity work catering for people with disabilities in Sierra Leone tended to focus on men.
“Our goal is to support women with disabilities – spiritually, physically, emotionally, socially and economically,” Kelsey says. “We try to do that in the most grassroots way possible.” They had a period of consultation with local women, at which the women said their three biggest needs were shelter, education for their children, and money for food and business.
Women of Hope act more as facilitators, gathering women together and training them in health & sanitation and income generation. They also give women grants to start small businesses, and run support groups for mothers of disabled children. Right at the heart of their work are a team of local women who have been trained as ‘community health evangelists’ – basically social workers who pass on the training they’ve received to others around them.
Some of Women of Hope’s staff have disabilities themselves. Adama Conteh (their Logistics Officer) is blind, and one of Kelsey’s reasons for wanting to be involved in disability-related work stems from the fact that she was born with one arm. “I do this job to show others that disability doesn’t have to stop you getting on in life,” says Fatmata, Programme Assistant and Field Officer, who has walking difficulties.
After lunch, Kelsey and I went out on the road with Fatmata and Melvina, the two Field Officers, as they visited women in one of the areas the charity covers. For logistics purposes, Women of Hope have split Makeni up into three geographical areas. The area we went to visit today covered Stocco Road and ‘Oslo’ – a residential area for amputees and disabled people, funded by the Norwegian Government.
It was evident from the reception Fatmata and Melvina got that the local women appreciate the work Women of Hope do. They took me to meet Fatu (sorry, I mean ‘Mammy Fatu’), the matriarch of a compound just outside Stocco Road. Mammy Fatu is a larger-than-life bundle of laughs who everyone calls ‘the Chief’. As she joked about with Kelsey and I, little children mucked about and Sama (another older lady) sat making gari.
Field trip over, we headed for the office where I met Ruth Kamara, Women of Hope’s Programme Manager. Ruth used to work for another NGO committed to fighting human trafficking (another area Women of Hope is involved in). She decided to join Women of Hope because of its faith-based ethos, being a Christian herself. Also in the office was Adama, the Logistics Officer. I’d been in Freetown over a week and not had the “So why haven’t you found a wife and fathered a tribe of your own yet?” interrogation from some uncle or aunt. That lucky streak ended in Makeni, thanks to Adama…
After a nice dinner back at the guesthouse, Kelsey dropped me off at the NP station to find a ride home. The back seat of the minivan that took me back to Freetown was nowhere near as comfortable as the Chrysler Voyager had been. But not even that could put a damper on what had been a great day out.
Total ‘small ting’ expenditure on trip: Le 15k (actually, make that 5k. I did give the old man 10 grand, but he never asked for anything; I gave it to him because he genuinely helped me and I wanted to thank him).