Well, not so much a review as a collection of thoughts…
I’m on a 148 bus (hooray for smartphones! But on what planet do people say “hooray” when they really wanted to say “bootstraps”?), going home after a brilliant gig I went to mostly out of curiosity.
Ruben Blades has just come off the stage at the Shepherd’s Bush Empire (I know it’s not called that any more, but I refuse to give free plugs to mobile phone companies), after treating a packed house to two and a half hours of sheer delight. Salsa fan that I am, I’ve kind of always been aware of Ruben’s existence, but not as familiar with his work compared to that of other salseros. So when I heard he was going to have a gig in London, I thought it would be a perfect opportunity to acquaint myself.
Well, even though I didn’t know much of his material before, I thoroughly enjoyed the gig. And in his band was someone I was familiar with: the ace trombonist and salsa dura maestro Jimmy Bosch, who did a few awesome solos and a great ‘duelling horns’ battle with one of the trumpeters. In addition to his own songs, Ruben covered hits by Willie Colon, Hector Lavoe and Jose Feliciano, throwing in the ‘Thriller’ intro before going into ‘Mack the Knife’ (the only English song of the evening). He paid tribute to Facundo Cabral (the legendary Argentinean songwriter, who was murdered in Guatemala earlier this month); to Colombian salsa star Joe Arroyo (who’d died just a day or two earlier) and to Amy Winehouse. Later on, he talked about the mass murder in Norway as an introduction to an anti-racism song.
The older I get, the more I appreciative I am of people who love full lives – and I found Ruben’s life story (or at least the little of it he shared with us) quite inspiring. Neither of his parents made it further than the sixth grade (someone has to explain to me what the British equivalent of that is), but “we were never poor, because poverty is something up here.” He went to university in his native Panama, but left the country before his graduation – and is proud of the fact that he never served as a lawyer “under a dictatorship.” Most inspiring of all (to me, anyway) was the fact that he’s getting ready to head back to college, to do a doctorate!
I learned a few other things as the gig progressed. I learned that Gabriel Garcia Marquez (whose Love in the Time of Cholera is sitting in my office, waiting to be read) is a musician as well as an award-winning author. Ruben told us about their friendship, then played us a song they’d written together. I learned that the volume at salsa gigs goes up gradually – and if you haven’t got earplugs in at the start, you’ll certainly need them by the end (but then that could just be the Empire’s acoustics). But above all, I was reminded that you’re as young as you feel, and you’re never too old to learn something new.
Yep – I had a great time tonight. I want Ruben’s leather jacket. And his trilby hat. And to look that good (and move that well) when I’m 63…
Africa Oyé 2011 Sefton Park, Liverpool, 18-19 June
Liverpool’s African music festival has become a key event in my calendar. It’s a chance for me not only to hear great music and gather material for the Sounds of Africa show I produce, but also an opportunity to socialise and hang out with a few other World Music media types who’ve become friends of mine over the years we’ve all been attending the festival: people such as Geli Berg (a radio broadcaster and organiser of the Cultural Collage World Music festival in Manchester), and Maya Mitter of One Latin Culture. Sure enough, there were hugs all round when we caught up with each other.
On Saturday afternoon I arrived at Sefton Park just as the first act of the day was being introduced. Mariem Hassan is incredible singer from the Western Sahara, accompanied by a pair of guitarists who played the blues with an unbelievable passion. Mariem was my first interviewee of the day, and set the pattern for how most of the rest of the day’s interviews would go; after agonising between her manager/interpreter (who’s German) and myself, I discovered that she spoke fluent Spanish and so I ended up interviewing her en Español. As Saturday progressed, language barriers proved to be more a source of amusement than a hindrance – especially when Maya, Geli and I did an interview en masse with the Ganbgé Brass Band.
The band had a couple of members who spoke English, and at least one of us doing the interviewing spoke French. The ensuing interview was hilarious – but definitely gave you a sense of how the guys had become brothers purely by having played together for years and years. Questions and answers in English and French flew back and forth. The band talked to us about playing in the Shrine in Nigeria (they’re all big Fela fans, and covered his song ‘Shakara’ during their set). When Maya suggested to one band member that the easiest way for him to learn English would be for him to get an English girlfriend, the tent erupted with laughter.
The legendary Angolan singer Bonga was also good fun. Again, we agonised over how to do the interview – and suddenly we discovered that one of the women on the Africa Oyé team was Brazilian and spoke perfect Portuguese! Problem solved! Maya and I were able to have a good chat with Bonga about what happens when the worlds of Angolan culture and politics clash – as they often do.
Amkoullel (aka “the Fula Child”) is an upcoming young rapper from Mali, who uses traditional Malian instruments in his music. A very profound guy and a great interview. He did some workshops on the Saturday and performed on the Sunday.
This year’s Africa Oyé featured quite a few of the female singers (young and not-so-young) who are championing the cause of African women through song, and winning loads of friends and admirers with the
charm and humour with which they do it. The Cameroonian singer Kareyce Fotso was one such person. Embracing her acoustic guitar and playing a variety of percussion instruments, she charmed the crowd in no time. When Maya and I interviewed her afterwards, she told us the heartbreaking story of her elder sister’s forced marriage – one of the many issues she talks about in her songs.
Fatoumata Diawarafrom Mali was another one. I’d already seen her twice before – first as support for Staff Benda Bilili’s London gig, then at a showcase in an Islington pub called the Slaughtered Lamb (I kid you not!). On both those occasions, it had been just her with her guitar. This time she was with a band (and without the green tights that have kind of become her trademark),
and it was a whole different dynamic. She danced, she spun, she jumped… the energy coming off the stage could power a small city for a week. When I interviewed Fatoumata afterwards, she told me how Nick Gold (her producer – the man responsible for such World Music classics as the Buena Vista Social Club) had said he wanted the public to see all her different sides. Fatoumata (a former actress and one-time backing singer for Oumou Sangare) is another young African woman dealing with some of the heavy issues that affect African women, but doing so in a manner that invites people to join in with her.
It’s always a gamble recording interviews during Africa Oyé, as quiet locations for interviewing are very hard to come by. Listening to my recorded interviews later, I was glad to see that my “keep the record level low and the mike very close to the subject” strategy had worked – especially with Fatoumata’s interview, which we did whilst Marcia Griffiths‘ extremely loud band were on. We could hardly hear ourselves while we were doing the interview. But on the recording, Fatoumata came through crystal clear while the booming reggae basslines were distant enough not to be a problem. Yay for technology…
There was one point on Saturday afternoon when thought we were going to get washed out. But the very brief drizzle over Sefton Park was just nature messing with our heads (naughty nature!). The weather on Sunday held up even better than the previous day, give or take the odd occasion earlier on when the temperature dropped slightly and it got a bit windy. My first interview of the day was with Damily from Madagascar (with the help of a French interpreter), while the first act to perform was Steven Sogo from Burundi, with his band Hope Street. I interviewed Steve after his set, and he told me how some church musicians had taught him how to play guitar and bass. He’s only been making music a few years, but has already won an armful of awards from all over Africa.
The unscheduled interview of the day happened while I was watching (and occasionally photographing) the Ethiopian singer Zewditu Yohanes from the photographers’ pit in front of the mainstage. The set ended, and this lady who’d been standing next to me and simultaneously shooting the gig on a camera and a smartphone handed me a card as she walked past towards the backstage area. It read, “Princess Emmanuelle: the first Egyptian female rapper.” I wasn’t going to let anyone with such a claim to fame slip away, so I followed her and asked if she’d do a quick interview. Turns out she’d remembered my face from years ago, when she was on the performance poetry circuit and doing gigs with Soul artists such as the Escoffery Sisters. She was here as part of Zewditu’s team, and promised to help me get an interview with her if I was having any trouble. Funnily enough, so much stuff happened during the day, I ended up not being able to interview Zewditu – which was a shame, because she and her band and dancers put on an awesome show. But never mind…
The other act I didn’t see as much of as I should have was Khaira Arby from Mali. The little I did see of her set was amazing, though; another strong woman roaring on behalf of African women.
After interviewing him yesterday, this afternoon I got to see Amkoullel in action twice – performing on stage, and teaching a hip hop workshop. The audience at the workshop was made up mostly of young children who’d clearly taken to heart Amkoullel’s advice to rap about their lives and what was important to them; one little lad came up with the rhyme “Sometimes I wear a hoodie. But I’m not a baddie; I’m a goodie.”
Meeting the Sierra Leone Refugee All-Stars was definitely the high point of the second day for me. It was like a family reunion – even though we’d never met before! I interviewed two of the band members, Reuben Koroma and Ashade Pearce; between the three of us, we set all Sierra Leone’s problems to rights (as you do!); we discussed music, education, development and a million other issues, and I finally got some concrete answers to a question I’d been burning with since my trip to Freetown two months earlier: why had the All-Stars (easily the biggest band to come out of Sierra Leone in the last 10 or so years) not been a part of the 50th independence anniversary celebrations? (Let’s just say it wasn’t because they hadn’t wanted to take part). I missed their set because I had to catch a train back to London (the train I’m on right now, writing this). But phone numbers and email addresses have been exchanged, so I’ll be updated whenever the guys are in London.
And that was Africa Oyé 2011: a glorious two days of colour, vibrancy and brilliant artistry. Next year, the festival celebrates its 20th birthday. I can hardly wait…
Last night I became the owner (note that I didn’t say “the proud owner”) of a piece of Hollywood memorabilia.
Some guys pay tens of thousands for a Batmobile, or for an Italian Job Mini Cooper. Others shell out equally ludicrous sums for the privilege of having Captain Kirk’s chair (or some other piece of furniture from the USS Enterprise) in their front room. Me – I paid a little over a hundred quid for… Borat’s ‘Mankini’ (signed by the man himself, I hasten to add).
No, I won’t be wearing it (and trust me, I have had loads of requests). And no, I didn’t particularly want it either. But rather than looking at this as a crazy impulse purchase, I prefer to see it as a donation to charity – which, actually, is what it was. I bought it at ‘Bidding for Hope’ – a charity auction in aid of the UCH Macmillan Cancer Centre.
The auction was organised by Dina Lazarus, a former workmate of mine. When I started at my current job, I was initially covering for Dina while she was off sick, having cancer treatment. When her sick leave ended, we both shared the job for a while. She decided she wanted to do something for the hospital where she’d had her treatment, and organised the auction with help from a few other people in the office.
Quite a few other showbizzy things went under the hammer at Foyles Gallery last night, including a day on the set of New Tricks, and Rod Stewart’s platinum disc for his Tonight I’m Yours album. For film buffs, there were a couple of autographed film posters: one of Black Swan (signed by Natalie Portman) and one of Never Let Me Go (signed by Keira Knightley, Carey Mulligan and the author of the book, Kazuo Ishiguro). For the more sporty bidders, there was a Nike tennis cap signed by John McEnroe, and a Tottenham shirt signed by the entire team. A £425 voucher for creative writing classes at the Faber Academy went for just under £300. If you’d rather be written about in a book than write one, you could have placed a bid to have the ‘chick lit’ author Freya North include you as a character in her next novel. I was tempted, but very quickly outbid – as opposed to when Lot #14 went under the hammer, and everybody mysteriously stopped bidding after the third bid… (which is how I ended up with you-know-what)
But hey, it was for a good cause. And even as I write, Mr. Baron Cohen is in LA somewhere, autographing the lime green undergarment which will soon be on its way to me. Altogether the auction raised £11,750 – £8,200 in sales of the auctioned items, and the rest in donations. Another small financial victory in the ongoing battle to kick cancer’s butt. Now, that can hardly be a bad thing…
…and no, I will NOT be posting any pictures of me wearing it. I’ve already said that a million times since last night…
Saturday 29 June 2013, 4.22pm
On Monday morning, we received the sad news that Dina passed away on Sunday. A handful of us from work attended the funeral on Tuesday afternoon.
In the last few months of her life, Dina would occasionally pop into the office. Now if you look at the comments at the end of this blog post, you’ll see that an old friend of Dina’s came across this post by chance (nearly two years after I wrote it!) and asked me to help her get back in touch with her again, which I did. The last time I saw Dina alive was the last time she popped into the office. She told me how this lady was an old friend of hers, and thanked me for helping her get back in touch with her. And those were the last words she said to me.
Rest easy, Dina. I only knew you for a short time, but that was long enough to see that you were a really loving, caring person.
You’d have to be seriously brave (or just mental) to try to set all Africa’s issues straight in two hours. But that’s basically what Patrice Naimbana sets out to do in the one man show which won him an Edinburgh Fringe First award (on tonight in London’s Cockpit Theatre, as part of the Pentecost Festival).
The Man Who Committed Thought is utterly compelling. Playing multiple characters (a poor man whose cow is stolen from him; the corrupt politician responsible for stealing the poor man’s cow and more; the rebel who seizes power and the honest but flawed lawyer referred to in the show’s title, to whom the poor man turns in his quest for justice), Patrice talks us through the troubled history of a fictional African nation called Lion Mountain.
Well, I say fictional. The handful of Sierra Leoneans in the Cockpit Theatre knew all too well whose stories were being told here. The rest of the audience weren’t left out, either; the beauty of Patrice’s series of monologues is the way he keeps it topical and fresh by absorbing so much of what’s current and relevant to wherever he might be performing. so tonight there are references to everything from Bin Laden to Britain’s Got Talent.
Underneath all that, there are bigger questions being asked. Naimbana challenges his audience to look at all the grey there is in issues of social justice. There is a tension at the heart of the show; between the righteous anger at the Europeans who brought “Gonorrhoea and Jesus” to Africa (to quote Fela Kuti) and a respectful acceptance of the message of good news to the poor and dispossessed that that Jesus preached. Patrice packs enough humour into the show to ensure that it never gets preachy or sounds like an “angry brother” having a rant.
After the show, Patrice spent another half hour answering questions from the audience, during which time he told us about his father – a lawyer who took on many poor people’s cases for no pay, and whose stories were the inspiration for the show’s lead character. That was every bit as engaging as the show itself, and continued in the bar afterwards.
It’s a sad fact of life in the arts and showbiz world that it’s the products with the biggest marketing budgets that tend to get the most (usually undeserved, if we’re judging on merit) media attention. Having been in music journalism for so many years, this really shouldn’t surprise me – but one tends to forget these basic facts until one gets an occasional rude reminder.
I had one such reminder yesterday, whilst flying from Nairobi to Amsterdam with Kenya Airways (“The pride of Africa™”). As do most other airlines, Kenya Airways publishes a guide in which it lists all the films, music, television and radio shows available on its in-flight entertainment system. And also as with other airlines, a couple of films are selected as the top pick for the month, and given a full write-up in the guide. A couple lower down on the food chain might get a paragraph or two; the rest get nothing.
Throughout this month, passengers on Kenya Airways (“The pride of Africa™”) have two African films to keep them entertained: Africa United and Benda Bilili! And which of these two great African films has “The pride of Africa™” chosen as its pick of the month to big up to its passengers – the uplifting family film about a group of Rwandan kids who hitch-hike to South Africa to see the World Cup, or the award-winning documentary about the hottest band to come out of Africa in recent years? The answer is neither. That honour goes to… [Drum roll, fanfare, hip-hop turntablist scratch solo] Big Mommas: Like Father, Like Son. I know; there’s no way the indies responsible for either of the other two films could compete with 20th Century Fox’s spending power. But something about this seems just plain wrong to me.
So here’s a travel tip from me. If you happen to be flying on one of Kenya Airways’ Boeing 777s this month, ignore what it says in the entertainment guide and watch one (or both) of these two gems instead of Martin Lawrence’s latest fatsuit ‘n’ drag outing… [Trying extremely hard not to swear here]
(That is, if the in-flight entertainment system on your flight is working in the first place. It wasn’t on mine, so we were shown some Jennifer Anniston flick on the overhead screens instead. Thank the Lord for iPods and sleep.)
Wednesday, 27 April 2011: Fifty years ago today, a Crown Colony on the west coast of Africa called Sierra Leone (“Lion Mountain”) gained its independence from Her Majesty Queen Elizabeth II.
All this week (and, I suspect, for a long time prior to now), anything in Freetown that doesn’t move has been trussed up in green, white and blue bunting. Turn on the radio, and it doesn’t matter where on the FM dial you plant yourself, you’re never more than two minutes away from another patriotic “happy birthday” song. It’s party time, all right…
The Independence Day celebrations started much earlier for me. Yesterday I went with Mum and the Buckle family to a wedding (weekday weddings are quite commonplace here). The wedding service started at 11.00am, at a church just up the road from where I’m staying. Now according to our invites, the reception and party we’re to start at 7.00pm prompt. In fact, the bride and groom didn’t turn up until just before 10.00pm (we didn’t go until 9.00; I think the Buckle family had been forewarned that the newlyweds were running on ‘BMT’). As a result of everything running so late, the speeches ended just before midnight – and at midnight, the Master of Ceremonies got us all to sing the National Anthem and wish each other a happy Independence Day.
Today’s big event takes place in the National Stadium, where the President will address the nation and a big cultural display will take place. It’s free for anyone to attend – as long as you come wearing the country’s national colours of green, white and blue. After briefly worrying that I didn’t have anything in those colours to wear, I found a pair of blue jeans and a white T-shirt with the slogan “Play hard, move easy” in big green letters on the front. With my attire sufficiently patriotic (and despite Mrs. Buckle’s insistence that I take a taxi), I walked to Brookfields where the National Stadium is – about 100 metres from the venue for the wedding reception we’d been at a few hours earlier.
I last visited this stadium twice in 1993: once to see the Leone Stars beat Senegal to win the Zone 2 final, and then to see the legendary Kanda Bongo Man in concert – a rather interesting gig, during which armed Military Police kept going up to the stage to nudge Kanda to sing facing the dignitaries in the VIP area, only for him to ignore them and continue singing to us plebs in the cheap seats instead. The stadium’s name has been changed a few times since the Chinese built it in 1979. First it was the Sierra Leone National Stadium; then just before it opened, it became the Siaka Stevens Stadium. Now it’s simply the National Stadium. I’m not accusing the now deceased former President Stevens of having ego issues, but he did have a street, a stadium and a town named after him while he was in office…
People had started arriving at the stadium from about 7.00am: schoolkids in their ceremonial uniforms (yep – blazers in the blazing sun!), women traders from Sani Abacha (the street market in the East End) all dressed up in funky blue ashobi; ‘boo boo’ dancers going mental, and several people who’d taken the dress code to extremes and covered themselves in green, white and blue body paint. Although the stadium was already full to capacity when I rolled along just after 10.00am, I managed to find a seat in Stand 8.
The atmosphere in the stand was for the most part jovial and good-natured. Every now and then, the giant LCD scoreboard would zoom in on the visiting foreign dignitaries seated in Green, white and blue boxes in front of the VIP section. Liberia’s president, Mrs Ellen Johnson-Sirleaf (west Africa’s first female head of state) got a lot of love from the crowd. A couple of jokers seated behind me had a few theories of their own as to which heads of state had come to Sierra Leone for the celebrations, and why:
“So where’s Obama, then?”
“I don’t know. But I saw George W Bush over there somewhere.”
“I tell you, the only Presidents you’ll get coming here are the ones who are sure of themselves. You know, the ones who know their people like them and won’t try to depose them if they left the country for a few days. That’s why Yahya Jammeh sent his Vice President along. You’ll never catch Mugabe at something like this!”
I left the stadium right after President Ernest Bai Koroma had inspected the troops and given his address to the nation; a rousing speech in which he entrusted all the nation’s citizens with the job title of ‘civil monitor’ (the Sierra Leonean equivalent of the ‘big society’, perhaps?). People were still pouring into the stadium as I left, and I walked past many more headed in that direction on my way home.
Later in the evening, after watching Barcelona beat Real Madrid (and after the first power cut we’ve had since I’ve been here), the SLBC News ran a feature on some villages who weren’t celebrating the anniversary because they felt neglected by the Government and were living in really crappy conditions without the most basic amenities. I can remember a time when that sort of critical reporting would have landed a journalist in deep trouble here. There’s still a lot that needs to be done to improve the average Sierra Leonean’s quality of life. But with the optimism I’ve seen on display today, just about anything is possible.
Apparently, the independence celebrations continue all week. Bring it on…
Thought for the Day:“What does it profit a man if he makes himself completely mosquito-proof and avoids catching malaria, but in the process poisons himself with all the insect repellent fumes?”
Earlier this week, I had the pleasure of hanging out with Sista K, Supreme Clem and Nassim – three members of the Marseille based ‘global fusion’ band Watcha Clan. Their fifth album, Radio Babel, comes out in April and it’s simply the most awesome take-everything-you-can-get-hold-of-and-shake-it-all-about concoction I’ve ever heard; a mix that includes dubstep, drum & bass, rai, and folk music from Europe and the Middle East, underpinned by a strong sense of social justice. The band were as much fun to talk to as their album was to listen to. But don’t just take my word for it; have a listen for yourself…
Baaba Maal presents “In Praise of the Female Voice” Royal Festival Hall, 12 March
The last few Baaba Maal gigs I’ve seen were all collaborative efforts. There was the marathon Africa Express show up in Liverpool, where he rocked out with the likes of Franz Ferdinand and Hard Fi – and following that, a Meltdown show at the Royal festival Hall, at which he shared the stage with long-time collaborator Mansoor Seck and Brit rappers Kano and Bashy. Tonight’s gig was a similar joint effort; this time round Baaba played host to a string of female vocalists from Africa and the UK: Eska, Krystle Warren, Annie Flore Batchiellilys, Speech Debelle and VV Brown.
Baaba has been singing the praises of African women in an honorary feminist style for some time now (as he was the last time I spoke to him), and this gig was, in effect, him taking that further. Sure enough, the track ‘A Song for Women’ (from his last album, Television) had an airing – done as a beautiful duet with VV Brown. But I’m running ahead of myself…
Eska was the first lady to take the stage after Baaba and his band had got things started (actually, the first lady to take the stage was host Andrea Oliver, larger than life and rocking a ‘baldhead’ look as only she can). I’m one person for whom Eska can do no wrong, and she was on brilliant form – both as a vocalist and as a multi-instrumentalist. The first of Eska’s two songs was a reworking of Odyssey’s ‘Inside Out’ (of late, she’s been taking old 70s and 80s disco-pop tunes and reinterpreting them in a quirky jazz style). For her second song, ‘Rock of Ages’, Eska emerged from behind the keyboards and accompanied herself on a violin.
Annie Flore Batchielys was definitely the surprise act of the night – or at least the one with the most unusual entrance. Having been led onstage arm in arm by Baaba, she proceeded to back-track her way out of the band’s little circle, and stayed out of it for nearly all of the song she was supposed to be accompanying Baaba on. When she did start singing, however, she was electrifying. She did a couple of songs on her own while the band took a short break. I didn’t catch all of what she said while she was talking to us (Note to self: might be time to start listening to those French podcasts again), but everyone caught the profuse thanks to Baaba Maal in the closing lines of her last song.
For my money, Krystle Warren was the most intriguing of the other guests, but you kind of got the impression that she’d been added on to the bill at the last minute (especially when she didn’t appear in the grand finale). VV Brown was dignified and elegant while Speech tried to play up to the “rappers are rebellious” stereotype by declaring that she was going to take up more time than she’d been allocated for her set. But there was plenty of love in the house – as the founder of the South Bank’s Women of the World season (of which this gig was a part) discovered when she chatted to Andrea about the advances that have been made by women in the 100 years since the first International Women’s Day was observed. It was only at that point that I realised there was supposed to be a feminist angle to the whole event – but I’m sure I speak for all the blokes in the house when I say that it never felt exclusive or “girls only.”
I left the RFH nodding my head along to the opening track of Annie Nightingale‘s post-gig DJ set. As I stepped out of the venue, I wondered what Kwame Kwei Armah and Paul Gambaccini had to say about their feminist sides, and contemplated coming along on Sunday to hear them speak. In the end, I didn’t.
Known to millions of telly viewers as Stringer Bell in the crime series The Wire, London boy Idris is one of the finest British actors in recent years to find success stateside.
Idrissa Akuna Elba was born in 1972 to a Ghanaian mother and a Sierra Leonean father. His journey from Hackney to Hollywood has seen him appear in Absolutely Fabulous, Family Affairs, Luther, The Number 1 Ladies’ Detective Agency and the US version of The Office on telly, and a long string of films that includes 28 Weeks Later, American Gangster and Guy Ritchie’s Rocknrolla. Off screen, he’s also a pretty nifty DJ. spinning tunes under the nom de turntable DJ Big Driis.
Look out for Idris this summer, playing the role of Heimdal in the film version of Marvel Comics’ Thor.
Sierra Leone – my tiny corner of the west coast of Africa – celebrates 50 years of independence on the 27th of April this year.
It’s been a not uneventful half-century; there have been some bad times and some truly horrendous times. But Sierra Leoneans are survivors if nothing else – and as my way of celebrating all of us, I’m going to attempt to chronicle the contribution that Sierra Leonean people have made to the world around us. Trust me, we’ve given more to the world than just dodgy diamonds…
Perhaps I should qualify how I define ‘Sierra Leonean’ in this series of blog posts. It’s anyone who has at least one parent (or grandparent) who’s Sierra Leonean. Some may have been born there; some may have lived there for a while (many of them probably haven’t), but as long as they can legitimately claim Sierra Leonean descent, they’re in (we’re a very welcoming and inclusive bunch, us Sierra Leoneans).
So join me as I pay tribute to some fine upstanding people of the past and present – a few of the many bright sparks that hail from this great land (Well, maybe not great in size. But you get what I mean).
This series of blog posts was partly inspired by this website.