Greenbelt ’10: Looking back (sideways) with fondness…

It’s been a week since my last Greenbelt-related post; a week since that fun two hours I spent spinning tunes in the Blue Nun. The rest of the festival’s still fresh in my mind (well, it has to be; I’ve been writing reviews of it for other websites and magazines all week!), so maybe I should round up here with the rest of my personal reflections and impressions from the festival that celebrated ‘the art of looking sideways’…

The DJ set in the Blue Nun (aka “Madonna’s Bra”) went well; there were a lot of feet tapping and heads nodding as people supped their pints (always a good sign for the humble bar DJ). I even had one or two punters ask for song titles and/or a playlist. I even had a congratulatory tweet from someone in the bar as I was playing! Social media on mobiles; it’s so immediate…

As per usual, I spent more time in the press room and less going to see things. I’m not necessarily complaining, because some quality people came through and spoke to us (Clare Short, Robin Ince, Milton Jones, Richard Rohr and Roger McGough, to name a few). Earlier on on Sunday, I went along to the Medianet’s first birthday party, and ended up having tea with Nick Park (as you do).

The gigs I did see have mostly been brilliant, though. I caught much of Greenjade‘s gig in the Underground on Sunday, plus a bit of Extra-Curricular. The London Community Gospel Choir were on brilliant form on Mainstage Sunday night. So too was Beverley Knight – but there were so many photographers wanting to take pictures of her that I could barely make it into the pit. In the end, I stayed for a couple of songs.

Gil Scott-Heron was a no-show on Monday (so I took both your novels all that way with me for nothing – thanks, mate!), but judging from the audience reaction, the last minute inclusion of Foy Vance on the Mainstage lineup was a good choice (as was the King Blues‘ promotion to headliner for the night). Jars of Clay also went down well with an extended set to make up for the Scott-Heron deficit.

Away from the Mainstage, my favourite act to play on Monday was the Dodge Brothers. I actually think I like Mark Kermode more as a musician than as a film critic now! (not that I hate his film review shows and articles; I just enjoyed the vibe at their gig. They make good banter with the audience, those guys!)

Overall, I didn’t see as much of the comedy as I wanted. But the two acts I caught in the Festival Bowl on Monday night were pretty funny. And DJ Ayo‘s jazz & Bossa Nova selection in the Blue Nun was a nice way to wind down whilst looking forward to the Tuesday Morning Tent Takedown.

And that was it; another amazing Greenbelt over. Roll on, GB2011; in the meantime, I shall continue looking sideways…

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