From the Y Crate: Bill Wolfer

From the Y Crate, #16:
“Wolf” by BILL WOLFER (Solar/Constellation)

Yet another lost ‘blue-eyed soul’ offering. Wolf is one of my favourite 80s soul albums – which is ironic, because I only discovered it in the 90s. I came to Bill Wolfer via the singer Jon Gibson (yep – more blue-eyed soul) and I can still remember the look of absolute shock on Jon’s face when I interviewed him and mentioned to him that I owned a copy of Wolf.

The story behind the album goes something like this. It was the early 80s, and Solar Records (the label that gave us Shalamar) had high hopes for two white acts they’d signed. In the red corner was Jon Gibson – a very soulful singer whose voice bore an eerie resemblance to that of Stevie Wonder (whom he had worked with on and off). In the blue corner was our man Bill – a master session keyboardist whose work could be heard on some of Motown’s best albums. Hall and Oates were making a killing on the charts around this time, and someone at Solar had a bright idea: why not put these two guys together and we can have our own Hall & Oates? (Stop laughing. This is the music industry we’re talking about, and you want original ideas?).

Thankfully, that idea got vetoed, and the two acts released solo albums instead. Bill produced Jon Gibson’s Standing on the One; Jon did lead vocals on a few tracks on Bill’s Wolf. Bill was able to pull in a few stellar names to appear on Wolf. Stevie Wonder‘s harmonica playing on “Soaring” is simply awesome (as is Crystal Blake’s vocal). And if you listen very closely to “So Shy”, you just might be able to pick out Michael Jackson‘s voice in the chorus (the album was recorded at around the same time Michael was working on Thriller, and Bill had previously toured with the Jacksons and played on their Triumph album). You can also just about hear him on “Papa Was a Rolling Stone” – one of two tracks on which Bill does lead vocal in a Herbie Hancock vocoder stylee (another case of “shy keyboardist syndrome”, I wonder?).

Bill went on to produce Shalamar’s hit “Dancing in the Sheets”. He also worked with Vanity and produced some of Jon Gibson’s Christian music offerings. I’m told that he’s making Latin jazz these days. That I must investigate…

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