And what a year it’s been!
My gigs of the year:
Delirious’ last ever gig (HMV Apollo, Hammersmith, November)
Staff Benda Bilili (Barbican, October)
Chic (HMV Forum, September)
Daby Touré at Africa Oyé (Sefton Park, Liverpool, June)
Shlomo and the Vocal Orchestra (Greenbelt Festival Mainstage, August)
Monica Giraldo (Magic Mirrors, Cannes, January)
Speed Caravan (Jongleurs, Camden, October)
Afrobeat Vibration with Dele Sosimi & friends (Empowering Church, London, several months in the year)
My favourite new discoveries of the year:
Sonnyboy: An unassuming, multi-talented soul singer I met in Cannes. His song ‘Josephine Brown’ has kind of been played to death at my home since then – both the mellow soul original and the housey ‘Psycho remix’.
Ndidi Onlukwulu: Another Cannes discovery; a Canadian singer who sits somewhere between Norah Jones and Corinne Bailey-Rae.
Charlie Winston: Met him in Cannes too. He’s English, but has been a lot bigger over in France this past couple of years. Landed himself a deal with RealWorld after babysitting for Peter Gabriel (true story!).
The Apples: I met this lot at Greenbelt, where I was their host for a couple of seminars they did. An awesome nine-piece funk band from Israel with no guitars or keyboards, just two turntables and loads of horns.
Muntu Valdo: This Cameroonian singer-songwriter is a great example of how digital looping technology has revolutionised live acoustic music. Shut your eyes, and you’d think he had a 10-piece band (and at least five backing singers) on stage with him!
Freshly Ground: I was introduced to this lot by friends who’d either been to South Africa and seen them, or had discovered them via Youtube. Brilliantly quirky; great fun; all-round brilliant band.
My favourite albums of the year:
Maxwell – BLACKsummer’snight: Yay! Maxwell’s back! He may have lost his trademark Afro, but the angelic voice is still there – and that’s what counts. ‘Pretty Wings’ is soul at its finest.
Portland – These Broken Hands: Soothing, thoughtful, sublime… just a few of the nice adjectives I’ve thrown at this album since I first heard it. Ideal late-night listening from the Midlands-based band.
Staff Benda Bilili – Tres Tres Fort: From living rough on the streets of Kinshasa to capturing the hearts of World Music fans everywhere, 2009 has been a fantastic year for “Africa’s #1 disabled band”, and 2010 is set to be even bigger. Wait till the film’s released; the whole world will be chanting “Giruppa! Giruppa! Giruppa! Sexamachine!”
Jars of Clay – the Long Fall Back to Earth: This is fast becoming my all-time favourite Jars album – especially the tracks ‘Scenic Route’, ‘Weapons’ and ‘Boys (Lesson One)’.
Van Hunt – Use in Case of Emergency: Seriously classy soul from the über-talented (and still criminally underrated) American singer.
And a special mention for: DJ Because’s Audio Sensei (not so much a ‘mixtape’ compilation as a compelling audio collage) and Sara Watkins’ self-tiled album (‘alt-country’ set, produced by Led Zeppelin’s John Paul Jones). Poles apart musically, but both absolutely brilliant.
Tragedy of the Year: Losing Michael Jackson. End of.
My “sometimes I’m just too sarcastic for my own good” moment of 2009: The time I posted a daft comment on Facebook, insinuating that Mika had had a sex change and was now Lady Gaga… only to receive several shocked emails asking if it was true.
‘Twas the Year of the Skank: It seemed as if everybody was inventing daft dances and making songs up to go with them. My personal favourites (including a couple from 2008) were: the oh-so-ironic ‘Stupid Skank’, Skepta’s ‘Rolex Sweep’, ‘Heads, Shoulders, Knees & Toes’, and Guvna B’s ‘Kingdom Skank’.
Most Pointless Musical Campaign of the Year: The anti-Cowell “RATM for Christmas number 1” thing. Yeah, let’s show that Sony executive how much we hate him… by buying a Sony song! If this is what passes for “revolution” in the 21st Century, God help us…
… and in the “If I never hear this crap again, it will be too soon” category:
Jazmine Sullivan’s ‘I’m in love with another man’: Yes, I know I’m not in the target audience for this song. But imagine the uproar if some man had sung a song that basically said, “Look, girl – we’ve been together for a while and you’ve never been unfaithful to me. But here’s the thing: I’m dumping you for someone else. No reason; I just am.” Sick, isn’t it? (and not in the way ‘da kidz’ use the word ‘sick’ these days). It made me long for Eamon’s charm and subtlety (now there’s something I never thought I’d hear myself say).