In a taxi with Baloji

balojialbumcoverLast November, the Congolese rapper Baloji paid London a flying visit for a gig at the Village Underground in Shoreditch.

It was a hip hop gig, all right; the swagger and all the other elements that make up a good hip hop act were all present and correct. But it was so much more besides. It was oldies night for African music fans of a certain age; it was a political rally… and it a good old party, with a charismatic host and a very tight band.

I was due to interview Baloji the next day, just before he hopped on a Eurostar train back to Belgium where he lives. Unfortunately, certain wires got crossed somewhere along the line in the booking process, and I ended up having to do the interview in the taxi that took him from his hotel in Whitechapel to St Pancras station where he was catching the train. With London lunchtime traffic, the ride took just under 20 minutes – just about enough time for him to give me the run-down on his music, his acting aspirations, his concerns about his country and his hopes for the future.

Here, for your listening pleasure, are some edited highlights of that interview – plus snippets of tracks from Baloji’s album Kinshasa Succursale. Enjoy.

In a cab with Baloji by George Luke on Mixcloud

Film review: “Nefarious – Merchant of Souls”

With a title like that, you’d be forgiven for expecting this film to be some LOTR/Game of Thrones-style fantasy flick (more so when I tell you that it’s part 1 of a trilogy). In actual fact, Nefarious is a hard-hitting documentary exposing the dark side of the sex trade.

The Nefarious film trilogy is produced by Exodus Cry – one of a number of organisations that have cropped up in recent years with the aim of tackling human trafficking and raising awareness about it. This first episode takes us to see the Eastern European gangs who shift women across the continent and into places such as Amsterdam’s red light district. From there, we head to the Far East, where we see men who travel across continents to buy girls as young as 10… and then hear the shocking news that many of the girls in the brothels have been put up for sale by their own parents.

After Eastern Europe and the Far East, our next stop is the USA itself – and it was at this point that for me the film seemed to veer off-topic – or rather, to settle in on the subject it was really interested in. The stories we heard from ex-prostitutes interviewed in the film were no less harrowing than the ones we heard from trafficked European women and Asian girls. But to describe them as being “trafficked” in the same way that the first batch of girls/women that we met had been just didn’t work for me. When we were in Eastern Europe and Cambodia/Thailand, we saw organised gangs of people making a concerted effort to round up women and girls for sale. In Las Vegas (and London), we saw a handful of individuals who had been abused earlier in life and had drifted into prostitution more or less of their own accord years later. I’m not saying that one route in is any better or worse than another, just that they’re not exactly the same.

Also, having been told that I was coming to see a film about human trafficking, it bothered me a bit that all we ever saw about trafficking was the sexual side of it. I did raise this issue with someone from Exodus Cry after the film, and her reply was that they had deliberately chosen sex trafficking as their primary focus, but were planning to expand their vision and to start looking into trafficking for labour purposes. I hope they do; it’s great that trafficking is on people’s minds, but it does sometimes feel as if all the focus is on sex and no-one is speaking up for the slaves hidden away sewing our designer clothes, assembling our electronic toys and harvesting our coffee and chocolate.

Anyway, back to Nefarious. As I said before, prostitution is where the film’s heart really is. We’re told of the psychological damage it takes to make a young woman prostitute material. The ex-prostitutes interviewed tell us of their scariest experiences “on the job” and the low spots their lives hit before a turnaround came. We go to Sweden and see how effective their policy of criminalising prostitutes’ customers has been (by this time, I’d forgotten the little Cambodian girls, and instead found myself gaining a new appreciation for Stieg Larsson’s Millennium novels). This being a film made by a Christian organisation, the obligatory Christian testimonies are in there, along with the equally obligatory reference to William Wilberforce in the form of a rallying call to become an “incurable fanatic” in the fight against the sex trade.

And that was Volume 1 of the Nefarious trilogy; harrowing and heartbreaking, but ultimately full of hope. Although I still think it doesn’t fully do human trafficking justice as a subject, I would happily recommend it to friends of mine who work with prostitutes.

 

My Name is Brima

“Party like it’s 1999.”

Hmm, sounds like a plan. Yeah, I know everybody says that, but trust me – I for one will be glad to see the back of this year. And this decade. In fact, the whole century can jump off a bridge. Like I had to in order to save my life. Only without the surviving bit at the end of it.

Sorry – didn’t see you there. Been a bit preoccupied with my own thoughts. A bit too much for a 16-year-old, I’m told. But then, being a war orphan kind of forces you to grow up faster than one would like to. And then something big comes along and hits you, and you realise that you’ve only partly grown up…

But I digress again. Where are my manners? Hello – my name is Brima. Brima Sesay. Brima William Sesay. Please don’t ask how I ended up with William for a middle name; it’s kinda embarrassing. Let’s just say it involves a future King of England and leave it at that, shall we? You can probably tell from my accent that I’m not originally from round here. Actually, I’m not even sure what my accent sounds like now. There’s a bit of London in there, because this is now my home. The odd palabra might slip in, because I’ve kind of been adopted by some friendly Colombians. Long story – but as no-one can afford to bail me out right now, I think I’ve got enough time on my hands in here to share it with you…

So let’s rewind back a year or two – and go back to a little village just outside Makeni. That’s in Sierra Leone. You know, where Ryan Giggs’ granddad came from. In Africa. You didn’t know that? Actually, half of Sierra Leone’s population supports Man U, and I’m sure not all of them know that either. Sorry, floating off point again. Me – two years into secondary school; loving English a lot but loving Chinese films even more. I regularly kekked – sorry, I’m in England now; I mean I regularly bunked off school to go and see them. It was just what you did. If you had to choose between simple equations and Jackie Chan, who would you go for? Seriously!

I got my love of Chinese films from my father, I think. Well, I guess I must have. We never talked about them at first, but when he found out I was a fan, that was it. We had something we could bond over. Which was good because he’s from the other half of Sierra Leone’s population (the half that supports Arsenal). My dad worked in a bank. I think he would have liked me to do that too, but I’ve always wanted to be an engineer. Maybe I still will. My dad loved his palm wine; he loved his friends; he loved my mum, and he loved the BBC World Service. And like me, he loved Chinese films. I discovered my dad shared my love of Chinese films the day my mum caught me going to one when I should have been in school. Of course, kekking – sorry, force of habit. Bunking off – is a gamble. And I lost big time the first time I did it. I had to choose the day my mum decided to do a mid-week food shop in the market just next to the cinema! Woman dragged me home by my left ear. I do miss her…

When she wasn’t using my left earlobe as a pulling handle, my mum was the best. I suppose she was still the best even when she was – I mean, I shouldn’t have allowed myself to get caught, should I have? Fatmata, her name was. Shorter than me. So much so, that her arm hurt her more than my ear hurt me that day she dragged me home from the cinema. It wasn’t so much me walking with my head down as her walking with her arm up. It goes without saying that the first words she said to me after letting go of my ear were “Wait until your father gets home.” And I did, expecting a fate worse than death. I felt like a cockroach as I stood in the middle of our parlour while mum recounted the afternoon’s proceedings to my dad. Then she left the two of us alone in the parlour and went off to attend to some other business. Me and Dad alone in the parlour. “Tense” doesn’t even begin to describe it…

But to my surprise, the expected beatdown never came. Instead, my dad sat me down and asked me, “So who’s your favourite Chinese film actor?” I would have pinched myself – but as I could still feel the extended ear pinch inflicted on me by my mum, I knew I couldn’t be dreaming. Dad and I talked for ages about the Chinese films we’d seen; he told me about the old-school masters from the films he saw when he was my age: Wang Yu, Carter Wong, Sonny Chiba… and the master of them all – Bruce Lee. That day, he promised that we would both watch all Bruce Lee’s films together. And then – more out of husbandly duty than anything else – he said, “and don’t do that again.”

I’m not sure how my mum would have reacted if she knew that he hadn’t beaten me as she’d hoped he would. But I’m not mad at her. I can’t be; she’s my mum. Was my mum. She was lovely. You haven’t eaten ‘casada leaf’ until you’ve eaten it cooked by my mum. And she always cooked it in a pot the size of a bathtub because of the open door policy she and my dad had going on. Anyone could come in and eat. And somehow there was always enough, and even though times were hard the pot was never empty.

When I meet God – if I do – he’s going to have to explain why the nastiest things always happen to the best people. With a diagram. Actually, on second thoughts, I’ve seen enough graphic nastiness to last a lifetime, so I’ll pass on the diagram. But I definitely do want to ask him what kind of loving deity allows one’s home country to be overrun by vicious rebels who ransack whole villages, make people choose how much of their limbs they want chopped off, and then force children to watch their parents being murdered and their mothers being raped – just before carting them off to be stuffed full of drugs and sent off to inflict the same sort of nastiness on other innocent people.

That’s my story – well, part of it. The ‘rebels’ stuck a load of us kids in the back of a Land Rover – me and some of my friends from school and boys who were my neighbours. I have no idea where they were planning to take us to, but by the time we got to Lunsar, I knew I had to escape. So I waited until the Land Rover got to this rickety old bridge. And when it was halfway over the bridge, I jumped.

What happened next is kind of a blur now. Well, actually it isn’t – but I’ve decided that I’m going to write a book about my life when I do get out of here, so I can’t give away all the juicy bits just yet! But to summarise, I lived on the goodwill of strangers as I trekked all the way out of sierra Leone to Guinea, where I ended up in a refugee camp. Then by some very good fortune – or so I thought at the time – I managed to make contact with an uncle of mine in London. I came over here and lived with him for a while – and that brought a whole heap of its own problems. Long story short, Uncle threw me out of his house. And then so did another uncle. And another one. And another one. And just when I’d run out of uncles with homes for me to be ejected from, I bump into this kind, friendly Colombian man and his son. Their family gave me a home and I started to get back on my feet. Found a job in a fast-food restaurant. Got some college applications in. Bought a Man U shirt from a stall in East Street Market. Discovered it wasn’t genuine. Also discovered that Millwall fans don’t like it when you walk down Ilderton Road wearing a Man U shirt, real or fake. Rescued by an angel. Then I caught my total toe-rag of a manager unawares in the middle of making a very troubling phone call. Next thing I know, I’m being accused of having my finger in the till and I’m given the sack. And then Toe Rag Manager winds up dead, and the Police think I killed him.

Of course I didn’t do it. I wasn’t even in the country when it happened – oops, I’ve already said too much. I could tell you where I was when the murder took place, but if I did that, I might as well just go ahead and phone the men in white coats myself, and give them all the measurements they’d need for my padded cell. Yes, it is that unbelievable. But it’s all true.

So I reckon I’ll be in here for a while, unless some miracle happens…

Boy, that was some expensive underwear…

(but it was in a good cause)

Last night I became the owner (note that I didn’t say “the proud owner”) of a piece of Hollywood memorabilia.

Some guys pay tens of thousands for a Batmobile, or for an Italian Job Mini Cooper. Others shell out equally ludicrous sums for the privilege of having Captain Kirk’s chair (or some other piece of furniture from the USS Enterprise) in their front room. Me – I paid a little over a hundred quid for… Borat’s ‘Mankini’ (signed by the man himself, I hasten to add).

No, I won’t be wearing it (and trust me, I have had loads of requests). And no, I didn’t particularly want it either. But rather than looking at this as a crazy impulse purchase, I prefer to see it as a donation to charity – which, actually, is what it was. I bought it at ‘Bidding for Hope’ – a charity auction in aid of the UCH Macmillan Cancer Centre.

The auction was organised by Dina Lazarus, a former workmate of mine. When I started at my current job, I was initially covering for Dina while she was off sick, having cancer treatment. When her sick leave ended, we both shared the job for a while. She decided she wanted to do something for the hospital where she’d had her treatment, and organised the auction with help from a few other people in the office.

Quite a few other showbizzy things went under the hammer at Foyles Gallery last night, including a day on the set of New Tricks, and Rod Stewart’s platinum disc for his Tonight I’m Yours album. For film buffs, there were a couple of autographed film posters: one of Black Swan (signed by Natalie Portman) and one of Never Let Me Go (signed by Keira Knightley, Carey Mulligan and the author of the book, Kazuo Ishiguro). For the more sporty bidders, there was a Nike tennis cap signed by John McEnroe, and a Tottenham shirt signed by the entire team. A £425 voucher for creative writing classes at the Faber Academy went for just under £300. If you’d rather be written about in a book than write one, you could have placed a bid to have the ‘chick lit’ author Freya North include you as a character in her next novel. I was tempted, but very quickly outbid – as opposed to when Lot #14 went under the hammer, and everybody mysteriously stopped bidding after the third bid…  (which is how I ended up with you-know-what)

But hey, it was for a good cause. And even as I write, Mr. Baron Cohen is in LA somewhere, autographing the lime green undergarment which will soon be on its way to me. Altogether the auction raised £11,750 – £8,200 in sales of the auctioned items, and the rest in donations. Another small financial victory in the ongoing battle to kick cancer’s butt. Now, that can hardly be a bad thing…

…and no, I will NOT be posting any pictures of me wearing it. I’ve already said that a million times since last night…

Review: “The Man Who Committed Thought”

You’d have to be seriously brave (or just mental) to try to set all Africa’s issues straight in two hours. But that’s basically what Patrice Naimbana sets out to do in the one man show which won him an Edinburgh Fringe First award (on tonight in London’s Cockpit Theatre, as part of the Pentecost Festival).

The Man Who Committed Thought is utterly compelling. Playing multiple characters (a poor man whose cow is stolen from him; the corrupt politician responsible for stealing the poor man’s cow and more; the rebel who seizes power and the honest but flawed lawyer referred to in the show’s title, to whom the poor man turns in his quest for justice), Patrice talks us through the troubled history of a fictional African nation called Lion Mountain.

Well, I say fictional. The handful of Sierra Leoneans in the Cockpit Theatre knew all too well whose stories were being told here. The rest of the audience weren’t left out, either; the beauty of Patrice’s series of monologues is the way he keeps it topical and fresh by absorbing so much of what’s current and relevant to wherever he might be performing. so tonight there are references to everything from Bin Laden to Britain’s Got Talent.

Underneath all that, there are bigger questions being asked. Naimbana challenges his audience to look at all the grey there is in issues of social justice. There is a tension at the heart of the show; between the righteous anger at the Europeans who brought “Gonorrhoea and Jesus” to Africa (to quote Fela Kuti) and a respectful acceptance of the message of good news to the poor and dispossessed that that Jesus preached. Patrice packs enough humour into the show to ensure that it never gets preachy or sounds like an “angry brother” having a rant.

After the show, Patrice spent another half hour answering questions from the audience, during which time he told us about his father – a lawyer who took on many poor people’s cases for no pay, and whose stories were the inspiration for the show’s lead character. That was every bit as engaging as the show itself, and continued in the bar afterwards.

“The pride of Africa™”

It’s a sad fact of life in the arts and showbiz world that it’s the products with the biggest marketing budgets that tend to get the most (usually undeserved, if we’re judging on merit) media attention. Having been in music journalism for so many years, this really shouldn’t surprise me – but one tends to forget these basic facts until one gets an occasional rude reminder.

I had one such reminder yesterday, whilst flying from Nairobi to Amsterdam with Kenya Airways (“The pride of Africa™”). As do most other airlines, Kenya Airways publishes a guide in which it lists all the films, music, television and radio shows available on its in-flight entertainment system. And also as with other airlines, a couple of films are selected as the top pick for the month, and given a full write-up in the guide. A couple lower down on the food chain might get a paragraph or two; the rest get nothing.

Throughout this month, passengers on Kenya Airways (“The pride of Africa™”) have two African films to keep them entertained: Africa United and Benda Bilili! And which of these two great African films has “The pride of Africa™” chosen as its pick of the month to big up to its passengers – the uplifting family film about a group of Rwandan kids who hitch-hike to South Africa to see the World Cup, or the award-winning documentary about the hottest band to come out of Africa in recent years? The answer is neither. That honour goes to… [Drum roll, fanfare, hip-hop turntablist scratch solo] Big Mommas: Like Father, Like Son. I know; there’s no way the indies responsible for either of the other two films could compete with 20th Century Fox’s spending power. But something about this seems just plain wrong to me.

So here’s a travel tip from me. If you happen to be flying on one of Kenya Airways’ Boeing 777s this month, ignore what it says in the entertainment guide and watch one (or both) of these two gems instead of Martin Lawrence’s latest fatsuit ‘n’ drag outing… [Trying extremely hard not to swear here]

(That is, if the in-flight entertainment system on your flight is working in the first place. It wasn’t on mine, so we were shown some Jennifer Anniston flick on the overhead screens instead. Thank the Lord for iPods and sleep.)

In Conversation: Watcha Clan

Earlier this week, I had the pleasure of hanging out with Sista K, Supreme Clem and Nassim – three members of the Marseille based ‘global fusion’ band Watcha Clan. Their fifth album, Radio Babel, comes out in April and it’s simply the most awesome take-everything-you-can-get-hold-of-and-shake-it-all-about concoction I’ve ever heard; a mix that includes dubstep, drum & bass, rai, and folk music from Europe and the Middle East, underpinned by a strong sense of social justice. The band were as much fun to talk to as their album was to listen to. But don’t just take my word for it; have a listen for yourself…

 

Famous Sierra Leoneans, #1: Idris Elba

Known to millions of telly viewers as Stringer Bell in the crime series The Wire, London boy Idris is one of the finest British actors in recent years to find success stateside.

Idrissa Akuna Elba was born in 1972 to a Ghanaian mother and a Sierra Leonean father. His journey from Hackney to Hollywood has seen him appear in Absolutely Fabulous, Family Affairs, Luther, The Number 1 Ladies’ Detective Agency and the US version of The Office on telly, and a long string of films that includes 28 Weeks Later, American Gangster and Guy Ritchie’s Rocknrolla. Off screen, he’s also a pretty nifty DJ. spinning tunes under the nom de turntable DJ Big Driis.

Look out for Idris this summer, playing the role of Heimdal in the film version of Marvel Comics’ Thor.

Greenbelt 2010: Why I’m Excited…

And we’re off…

The 09:48 1st Great Western to Cheltenham Spa has just pulled out of Paddington. In about two and a half hours’ time, I should be searching for a nice accessible spot on Cheltenham Racecourse on which to pitch a tent. I’m still pondering whether to go and socialise or just lie in it and sleep once it’s up.

The tent will be home for the next few days while I’m at the Greenbelt festival. I hadn’t realised it before, but this is actually my 20th Greenbelt! All of a sudden, my DJ set tomorrow evening has a whole new meaning.

It’s been an interesting 20 years – in which I’ve gone from being the unsure rookie punter whose borrowed tent fell in on him on his first night in it, to a virtual resident of the press room. These days, I even get to inflict my choice of music on the other punters! Nice…

There’s a lot I love about Greenbelt. Back at the start of the 90s (and the start of me dabbling in this writing thingy), the writing workshops held at Greenbelt’s London HQ were key to my early development as a writer (thanks a lot to guys like Dave Roberts and Martin Wroe, who used to share their insights and expertise with us). The more I went, the more I realised there was more to Greenbelt than music. I’ve discovered an array of writers and thinkers (Caesar Molebatsi, Robert Beckford, Jim Wallis, Phillip Yancey and the late Mike Yaconelli, to name a few), and made lots of friends through my annual pilgrimage to Cheltenham (and to Castle Ashby and Deene Park before that). And of course, I’ve heard more great bands and singers than I care to remember.

On the Greenbelt blog (see my blogroll), there’s a series of “Why I’m Excited” posts, in which people associated with the festival have been talking about what (or who) they’re looking forward to the most. Here’s my “Why I’m Excited” list:

Jars of Clay are playing! So too are Brownmusic, Gil Scott-Heron, Ty, Beverley Knight, Foy Vance, Courtney Pine and Greenjade. Just a few of the acts I don’t want to miss.

They’re screening Africa United on Sunday afternoon (check back here for a review soon after).

A couple of ‘must go’ workshops and panel discussions – including one on storytelling and one on the relationship between music and activism.

The comedy line-up’s brilliant: I have to see Jude Simpson, Milton Jones and Andy Kind (he’s recently been featured on Channel 4′s 4thought.tv – top bloke).

And did I mention that I was Djing? 7Pm on Saturday in the Blue Nun wine bar. Drop by just before Shed Seven on Mainstage…

10 things I’d have liked to see Hitler’s reaction to

It’s been nearly four months since Constantin Films (the company behind Downfall, the Oscar nominated film about Hitler’s last days) got Youtube to take down a rash of “Hitler reacts to…” videos, made using key scenes from the film.

The first one I saw was the Fuhrer’s foul-mouthed reaction to the news of Michael Jackson’s death, barely days after watching his memorial concert. Others followed: Usain Bolt’s 100m win; Kanye West upsetting Taylor Swift; Oasis splitting up… all of varying degrees of hilarity (and tastelessness).

While I can understand why the filmmakers had the videos pulled (they did kind of trivialise what was a really deep, serious film), part of me wishes they were still around, and new ones were being made. I’d have loved to see what Hitler would have made of these news stories:

  • Rage Against the Machine getting the Christmas number 1
  • Heroes being axed
  • Britain’s hung parliament
  • Reception problems with his new iPhone 4
  • The vuvuzela
  • Delirious?’s ‘History Maker’ only getting to number 6 in the charts
  • Robbie Williams rejoining Take That
  • Google Wave not really catching on
  • Naomi Campbell giving evidence at the Charles Taylor trial
  • Usain Bolt losing to Tyson Gay

… And if possible, I’d like those videos to be in 3D.

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