“Too many Latinos”

Yesterday I attended Day 1 of the Big Church Day Out – a two-day Christian music festival on the grounds of a stately home situated at the foot of the South Downs, on England’s South Coast.

One of my reasons for going was that Salvador were playing. I’ve interviewed their lead singer Nic Gonzales several times in the past (and also his wife, the singer Jaci Velasquez) and a follow-up interview was, in my mind, long overdue – especially since I’ve now kind of started playing in a Latin band myself…

A few days before I was due to see Salvador, the Internet threw me another good reason to want to speak to them. A certain right-wing commentator had decided to spew some bile on immigrants (again), and had written a column basically claiming that there were “too many Latinos” in the USA (I’m not even going to dignify such nonsense by naming the person or posting links to their writing; I suggest you google ‘too many Latinos’ yourself if you want to know who it is and what he/she/it wrote). And so when it came to my turn to fire a question at Salvador during their press conference, I knew exactly what I was going to ask.

“As a multi-cultural Christian band that plays Latin music, how do you respond when someone says ‘there are too many Latinos in America’?”

Step forward Nic Gonzales and saxophonist Craig Swift:

NIC: “I think that any time people talk about there being ‘too many’ of something, it’s spoken out of frustration. We certainly give grace where we believe grace would be given. People who speak that way have obviously come into a bad encounter with a person of Hispanic culture, or maybe they’re frustrated by something. Any time you’re overwhelmed, or feel like you have a lack of something, you’re looking for someone to blame.

“Being Hispanic is one thing. But being Christians overall, we certainly feel that grace needs to be given. Maybe they just don’t understand. Personally, those comments don’t hurt my feelings because I probably don’t dig into them as much; I kind of live in a bliss that I’m working as hard as I can, and I’m going to do the best that I can by my family and my bandmates. And I think that as long as I do that, I can certainly feel good about who I am and the colour of my skin.”

CRAIG: “As a white person, I think it probably offends me more than it would offend them [cue laughter from the Hispanic band members]. I think Chris (Bevins, the band’s keyboardist) would probably feel the same way. It kinda baffles my mind, the small thinking of some people.

“Being around Latin culture, as a white person I’ve gained a lot. I love how Latin people place such a high priority on family. It’s beautiful to me to see that. Loyalty is another thing I see throguhout the Latin culture. I think that’s something that we all gain a lot from. We all need to put more emphasis on our families. And we all should be loyal friends and loyal husbands and wives and churchgoers. So as a white person, I probably shoulder more offence and am in more of a ‘fight’ mood than these guys.” [cue more laughter]

Oh yeah – I also mentioned to the guys that I’d started playing in a salsa band, and asked if they could offer me some survival tips. Percussionist Alejandro Santoyo offered this advice:

“I would go back and listen to Santana. Listen to the rhythm section that’s going on; it’s very simple. as you start to listen to more salsa music, the montunos get more and more difficult. As far as percussion goes: if you have the rhythm here, and you learn the two different claves, you’re on your way.”

Muchisimas gracias, hermanos. And now if you’ll excuse me, it’s time I got some montuno practise in…

Salvador at their press conference. Nic Gonzales is second left (in the blue shirt); Craig is on the left. Alejandro is at the other end; on the right.

Salvador at their press conference. Nic Gonzales is second left (in the blue shirt); Craig is on the left. Alejandro is at the other end; on the right.

Greenbelt 2012

Ten days.

It finished serving its actual purpose five days ago. But it’s still here, jostling with my watch for wrist space, now serving a higher purpose of reminding me how great the August Bank Holiday weekend was.

And it appears that I’m not the only Greenbelt punter who develops this weird emotional attachment to their festival wristband and can’t bring themselves to cut it off the moment they’re off the festival site. Friends and I have joked about it on Twitter, where some crazy “let’s see who can leave theirs on the longest” contest seems to have started. Ten days is the longest time mine’s been on for. It may come off tonight – but then again it might not. And why should it? As I said before, reminding me of how great Greenbelt was is as worthy a duty as getting me in to things on the festival site – especially now that I’ve washed away all traces of the mud I brought back…

At any minute, I expected Shrek to show up and yell at us to stay off his swamp…


Greenbelt 2012 was by far my muddiest Greenbelt. But unlike Greenbelt ’92 (which held the record until this year, and which I’ve declared my worst ever, after falling into some mud on my first night and not recovering), Greenbelt ’12 was truly awesome despite the mud. Infinitely muddier than ’92, but a much more joy-filled experience.

It was also my busiest Greenbelt. When I wasn’t interviewing performers and speakers for Surefish, I was either being filmed (for a promo video that should be out soon), DJing (which I did three times over the course of the weekend) or fretting over how well my short talk for GTV (on the topic “How to be a DJ”) would go.

The talk went well, thanks for asking. It would have gone even better from my point of view if I’d stuck to the script all throughout – but that’s me being my own harshest critic. The feedback I’ve had has all been good (especially the 12-year-old girl who found it “inspiring”; I do hope I’ve inspired a future Annie Nightingale!). The scariest part of it for me was doing the live beatmatching demo – but I nailed it first time, which was good.

Of all my DJing gigs over the course of the festival, the Friday night silent disco was by far the most surreal. For a start, you were DJing with two pairs of headphones on (you can’t do the “one ear on, one ear off” thing because there’s no sound from the speakers in the room). And of course, you immediately can’t tell who’s listening to you or to the other DJ – except for those odd occasions when the ones who are start singing along to what you’re playing. I now have a video clip on my mobile phone of a tent full of people singing “Where’s Your Head At?” after one such moment.
Silent DJs
Hard at work, Silent disco DJ-ing (Photo taken by Elaine Duigenan)

While I may not have seen all the speakers and gigs I’d wanted to (Frank Skinner and Bruce Cockburn being just two of the many I wanted to see but missed), I was able to chat to a good few of them in the Press room. It was nice meeting Richard Coles in person, having become Facebook friends with him earlier this year. Bruce Cockburn, Tony Campolo and Steve Taylor were all in fine form. Abigail Washburn offered to hold my mike for me when she noticed that my energy was beginning to sap – lovely woman she is.

Other memorable moments? Simon Parke’s talk on solitude; Hope & Social in their blue blazers, running around the Mainstage (“the Hope & Social Workout”, they called it); bumping into Chris Hale from Aradhna in the beer tent on the first night, and us subsequently chatting over pints of Crazy Goat until 1am; seeing the Proclaimers from both backstage and the front; Bobby Bovell introducing me to his dad after his gig on the Canopy Stage… and the blind guy I met at Cheltenham Spa train station on Tuesday morning, who overheard Simon Cross and I talking about the festival and joined in the convo to tell us how much he’d loved Sugarfoot’s Performance Cafe gig on Friday night.

I say it every year (well, apart from 1992): Greenbelt was excellent this year. And if a little strip of grey plastic evokes all those good memories a little longer, then that’s no bad thing. Maybe I could just leave this wristband on for another ten days…

Yeah, it’ll be fine for another 10 days, I reckon…

Film review: “Nefarious – Merchant of Souls”

With a title like that, you’d be forgiven for expecting this film to be some LOTR/Game of Thrones-style fantasy flick (more so when I tell you that it’s part 1 of a trilogy). In actual fact, Nefarious is a hard-hitting documentary exposing the dark side of the sex trade.

The Nefarious film trilogy is produced by Exodus Cry – one of a number of organisations that have cropped up in recent years with the aim of tackling human trafficking and raising awareness about it. This first episode takes us to see the Eastern European gangs who shift women across the continent and into places such as Amsterdam’s red light district. From there, we head to the Far East, where we see men who travel across continents to buy girls as young as 10… and then hear the shocking news that many of the girls in the brothels have been put up for sale by their own parents.

After Eastern Europe and the Far East, our next stop is the USA itself – and it was at this point that for me the film seemed to veer off-topic – or rather, to settle in on the subject it was really interested in. The stories we heard from ex-prostitutes interviewed in the film were no less harrowing than the ones we heard from trafficked European women and Asian girls. But to describe them as being “trafficked” in the same way that the first batch of girls/women that we met had been just didn’t work for me. When we were in Eastern Europe and Cambodia/Thailand, we saw organised gangs of people making a concerted effort to round up women and girls for sale. In Las Vegas (and London), we saw a handful of individuals who had been abused earlier in life and had drifted into prostitution more or less of their own accord years later. I’m not saying that one route in is any better or worse than another, just that they’re not exactly the same.

Also, having been told that I was coming to see a film about human trafficking, it bothered me a bit that all we ever saw about trafficking was the sexual side of it. I did raise this issue with someone from Exodus Cry after the film, and her reply was that they had deliberately chosen sex trafficking as their primary focus, but were planning to expand their vision and to start looking into trafficking for labour purposes. I hope they do; it’s great that trafficking is on people’s minds, but it does sometimes feel as if all the focus is on sex and no-one is speaking up for the slaves hidden away sewing our designer clothes, assembling our electronic toys and harvesting our coffee and chocolate.

Anyway, back to Nefarious. As I said before, prostitution is where the film’s heart really is. We’re told of the psychological damage it takes to make a young woman prostitute material. The ex-prostitutes interviewed tell us of their scariest experiences “on the job” and the low spots their lives hit before a turnaround came. We go to Sweden and see how effective their policy of criminalising prostitutes’ customers has been (by this time, I’d forgotten the little Cambodian girls, and instead found myself gaining a new appreciation for Stieg Larsson’s Millennium novels). This being a film made by a Christian organisation, the obligatory Christian testimonies are in there, along with the equally obligatory reference to William Wilberforce in the form of a rallying call to become an “incurable fanatic” in the fight against the sex trade.

And that was Volume 1 of the Nefarious trilogy; harrowing and heartbreaking, but ultimately full of hope. Although I still think it doesn’t fully do human trafficking justice as a subject, I would happily recommend it to friends of mine who work with prostitutes.

 

“All we want here is peace…”

It’s now been a week since I returned home from a my first ever trip to Israel and Palestine, and my head is still trying to make sense of everything I saw, heard and felt while I was out there.

Two Saturdays ago, a disparate bunch of arty types (and one seriously cool reverend) got into a plane headed for Tel Aviv, on a trip organised by the Greenbelt festival and the Amos Trust charity. I was in Istanbul when I received the invitation to go on this trip; prior to this, I’d tactfully steered clear of the Israel/Palestine conflict issue. When you grow up in certain Evangelical circles, you pick up on the party line very quickly… and if it’s a line you’re uncomfortable with, you kinda learn to keep that discomfort to yourself (at least that’s one way of dealing with it, though not necessarily the right one).

One Bible scripture that’s always meant a lot to me is Galatians 3:28, in which Paul says, “There is now neither Jew nor Greek, slave nor free, male nor female, for you are all one in Christ.” It’s been a source of encouragement to me as a person of colour in a society where racism is prone to raise its ugly head every so often, with its assurance that (ideally, at least) church was one place where we could all be truly equal.

However, it’s always seemed that when it came to Israel – and, dare I say it, to Palestinian people – the Evangelical response seemed to owe more to George Orwell than to Paul: “You are all one in Christ, but some are more equal than others.” I never could accept that everything Israel’s government did was right, or that all Palestinians were inherently evil, as it was always kind of suggested to me. And I really hated the way that anyone who felt any different was immediately branded “anti-Semitic”. I still reject those labels: “pro-Israel”, “pro-Palestinian”, “liberal”, “conservative” and the like. It’s sad that Western Christianity – like much of our media – can only deal with issues Harry Hill style (“I like Israel and I like Palestine. But which one is better? There’s only one way to find out…”). At the end of the day, it’s not an either-or thing for me. None of the Palestinians I met when I was there wanted to “obliterate” Israel; they simply want a peaceful life, living like regular human beings. Walls, checkpoints, appalling (in some cases, nonexistent) amenities… nobody deserves to live like that. And for Christians to condone or actively support such injustice due to dodgy theology is absurd. If I am pro-anything with regards to Israel/Palestine, then it’s pro-reconciliation and pro-justice. I resent the patronising notion that my unwillingness to be blindly Zionist is because “You believe what you see on television” – especially now that I have seen the ‘separation wall’ with my own eyes…

Banksy was here...

So, wall aside, what else did I see and what did I make of it? Well, the trip was quite full-on (there was easily a month’s worth of activities packed into seven days). What I’m grateful for the most was being able to meet both Israelis and Palestinians who are committed to seeing peace and justice prevail in the region – many of them with incredible hope-filled stories. People such as Daoud Nassar, who runs the Tent of Nations in the West Bank; Sami Awad of the Holy Land Trust in Bethlehem; Marwan and his multicoloured pet birds (“My birds all believe in nonviolence”), and Iyad our guide who showed us round everywhere (except Jerusalem, which he can’t go to on account of his being Palestinian).

There was Munther, the Jerusalem bookshop owner from whom I bought a copy of Amos Oz’s How to Cure a Fanatic and Suad Amiry’s Sharon and My Mother-in-Law. Jeff, Itay and Ruth from ICAHD, with whom we shared about a ton of pizza in a tent in Beit Arabiya, on the site where a Palestinian family’s home had been demolished. Claire, whose gift shop/guest house struggles to make a living ever since the wall was put up right in front of it. Zoughbi, who runs Wi’am, the Palestinian Conflict Transformation Centre. And there’s no way I could forget the three members of Combatants for Peace – two Palestinians and an Israeli – who spent an afternoon with us in Beit Jala, telling us about their work, and the various reasons why they now embraced non-violence as a way forward.

One thing’s for sure: I’m never going to believe the ‘Palestinian suicide bomber’ stereotype ever again (not that I actually did). It’s impossible to label an entire race of people as anti-Western Muslim fanatics when you’ve sat with them in a pub called “Cheers”, having a pint, smoking water pipes and watching Milan play Barcelona. Or when a handful of Palestinian schoolgirls have tested your volleyball-playing skills to the limit. Or when you’ve spent an evening having dinner with a granny who’s about my mum’s age, and she’s told you about all the work she’s been doing with other women for years and years. These are all human beings with everyday needs and dreams, just like any Londoner.

At the end of it all, the comments that will stay with me are our Palestinian guide’s plea to the outside world (“We’re not asking you to hate Israel, or to love them any less. All we’re asking is that you show us a little love too.”) and the Israeli lady from Combatants for Peace (“At some stage, somehow, peace will come. And we need to be ready to live in it when it does.”). That and a bloke called George, who came up to me on a busy Jerusalem street while I was recording some background noise, and introduced himself to me: “All we want here is peace. Just peace.”

We can but hope…

Pray for the peace of Jerusalem.

Greenbelt 2011: A few more pictures

You may have noticed that I tried to squeeze a lot of pictures into my last blog post with my personal reflections on Greenbelt. Here are a few more I wanted to put in but felt they’d make the page look too “busy”…

Mavis Staples, Mainstage, Monday

Mavis' backing band

 

Ron Sexsmith, Mainstage, Monday

Kate Rusby, Mainstage, Monday

Gentlemen's Dub Club, Mainstage, Saturday

Iain Archer and drummer, Mainstage, Monday

My DJ gear all set up, Mainstage, Monday

Rob Halligan in the Performance Cafe on Saturday

Greenbelt 2011: a look back

It’s now been a good few days since I ‘de-camped’ from Cheltenham and took the train back to London – feeling absolutely shattered but also inspired, elated and, dare I say it, turbo-charged from Greenbelt.

The campsite starts to fill up...

It was a much scarier Greenbelt than usual for me this year – mainly because I’d accepted the major responsibility of booking acts for the Performance Cafe. The rest of the team were incredibly supportive, and made my debut as a festival booker a great learning experience (special thanks to Roger, the venue manager).

Eska

Lanre

Naturally I’m biased, but that doesn’t make it any less true when I say that the Performance Cafe’s lineup this year was absolutely brilliant. The lady I sat next to during Eska‘s set couldn’t stop talking about how wonderful she was (another bloke sitting next to me said simply, “She’s a genius.”). I felt immensely proud to hear people raving about Lanre. Jason Carter was great on Friday – and given the awful road accident he’d been in just a few days before, we were all just glad he was alive and able to play. Having him on just before Duke Special yielded an unexpected bonus; it turns out they’re both old friends, and Duke talked him into joining him onstage during his set. The little I saw of Rob Halligan was great, as was Paul Bell – and Folk On were wee-yourself funny. Mainstage highlights included the Gentlemen’s Dub Club, the IDMC Gospel Choir and Extra-Curricular. And Monday’s lineup: Ron Sexsmith, Kate Rusby, Iain Archer, the Unthanks and Mavis Staples, with you-know-who playing records in the changeover periods between each act.

There wasn’t a working Press room this year as there had been previously, so whenever I wanted to interview someone, I had to go up to them and ask. I still got a few cracking ones, though: with Brian McLaren, the Dalit human rights campaigner Vincent Manoharan, comedian Andy Kind, Rob Halligan and Shane Claiborne (actually, the last two had been pre-arranged). And Luke Leighfield – if you’re reading this, I owe you an interview!

Folk On chill backstage with their group- I mean their fan club...

Paul Bell

I didn’t get to as many talks as I’d have liked to (I even managed to go through the whole festival with just a fleeting glimpse of Rob Bell), but really liked Brian McLaren’s talk on Christian identity. I did much better on the comedy front – what with Last Orders most nights, and Folk On playing the Performance Cafe. It was also good to catch up with my old friend Jo Enright again, and hear her jokes about knitting.

Greenbelt gave me ample opportunities for putting real faces to the names of people I’d developed friendships with via Twitter and Facebook. Helen (aka Fragmentz) was a great camping neighbour. And it was fun helping Karen get settled on her first Greenbelt (you can see some of her Greenbelt experience here). Catching up with old friends was also great – especially seeing Matt and Trish Hart again after about 10 years (I first met them in Ecuador in 2001, when I worked for a couple of months at Orphaids – the HIV/Aids care charity Matt’s parents set up). It was good to catch up with both the Akinsiku brothers (Siku and Akin, co-authors of the Manga Bible) and their families.

What else was good? Nadia Bolz-Weber’s communion service message, the morning worship sessions in the Methodist tent, my first Goan fish curry (I didn’t do Pie Minister this year)… and of course, DJing on the Mainstage on Monday night. Hanging out in the beer tent until 3am on the last night of the festival was a first for me; I usually go straight to bed after Last Orders; I never realised they had so much fun there!

Thanks once again to Greenbelt, for a great weekend and another reminder of how rewarding it can be to step out of one’s comfort zone and do something that stretches you.

Some stewards have a group hug. Aawwwww...

Sunday morning, and the communion crowd starts to gather…

Cheltenham, here I come…

The Greenbelt festival seems to have come along even faster than usual this year. Whether that’s a side effect of being involved in organising the festival, I’m not sure. It just feels as if it was last week that I was on a train writing about why I was excited about Greenbelt 2010. I guess I must be having too much fun…

Anyway, I’m in Paddington station’s First Class lounge, waiting for my train to Cheltenham (yes, first class. I’m going to be spending the next five nights sleeping in a tent, so allow me a little luxury before then) – and, as with last year’s train ride, I’m using the down time to remind myself again what it is I love about the festival, and what I’m looking forward to most at this year’s.

On the music side of things, there’s quite a lot I’m excited about. I’ve already waxed lyrical on the Greenbelt blog about how happy I am that Eska is going to be there. I’m also looking forward to seeing a few old friends play – Freddie Kofi and Henry Bran. There’s a lady by the name of Dayana Trindade who’s travelling all the way from Brazil to sing in the Performance Cafe. I’ve been listening a fair bit to Listener and Hope & Social (both of whom I interviewed for a Greenbelt preview article in the Church Times newspaper); also to Rob Halligan, Lanre, Jason Carter and Atlum Schema. I’ll stop now before this turns into a list of all the bands playing (but not before mentioning the “leg end” that is Mavis Staples, of course).

I also plan on making time to see and participate in as much of the literature programme as possible; hang out with fellow writers and glean as much writing wisdom as I can from them. And then there’s the comedy. I saw Milton Jones at the Hammersmith Apollo a few months ago, so if I don’t get in to see him, I won’t be totally devastated. But there’s no way I’m missing ‘ma gurl’ Jo Enright. Or Paul Kerensa. And I’m praying that Mark Thomas‘ show on Monday doesn’t clash with my DJing duties that day. If it does – well, too bad…

But more than the music, the comedy or anything else, I’m excited about the hanging out. For the past few weeks, my Twitter stream has been abuzz with people I follow making Greenbelt hook-up plans. I’ve had a few invitations to have a coffee (or a beer) myself, and I plan to make good on every one of them. Greenbelt – it’s all about people, really. Now should I or shouldn’t I take part in the speed dating? That is the question…

Peace and Hope in Latin America

This past week has been one of those “hyper Latino” weeks I have from time to time.

Yesterday, for instance, I spent the afternoon in a farm somewhere in Reading, helping my friends at Latin Link with the orientation weekend for the batch of (mostly young) people heading out in short-term teams to various Latin American countries over the summer. I myself was once a fresh-faced ‘Stepper’ (exactly ten years ago, as it happens) – one of a team of 10 sent to work at a home for Aids orphans in Santo Domingo de los Colorados in Ecuador.

Earlier on in the week, I was looking forward to interview the merengue “leg end” Juan-Luis Guerra, who had his first ever London gig at the Apollo in Hammersmith. Sadly, JLG wasn’t doing any press, so that didn’t happen (and the ticket prices were slightly out of reach, so I didn’t go to the gig).

However, not being able to go to the JLG gig worked in my favour, because I ended up at Church.co.uk on Wednesday evening, at the launch of the UK branch of Paz Y Esperanza (Peace and Hope). Paz y Esperanza is a Christian human rights organisation dedicated to defending and promoting justice on behalf of persons and communities living in poverty or affected by different forms of injustice.

I met two key members of Paz y Esperanza at the launch. Here’s my interview with the founder of the organisation – Alfonso Weiland (pictured above), a human rights lawyer from Peru:

And here I am in conversation with Loida Carriel, who heads up Paz y Esperanza’s operations in Ecuador. Here, their main issue is women’s rights and combating domestic violence and its effects on women.

Throw in Friday evening’s salsa classes (at which I finally managed to master the dreaded ‘Setenta’) and it’s been a right old semana hyper-Latina. And now if you’ll excuse me, I’ll just go and put on my bamba “100% Discoteck” reggaeton CD…

Review: “The Man Who Committed Thought”

You’d have to be seriously brave (or just mental) to try to set all Africa’s issues straight in two hours. But that’s basically what Patrice Naimbana sets out to do in the one man show which won him an Edinburgh Fringe First award (on tonight in London’s Cockpit Theatre, as part of the Pentecost Festival).

The Man Who Committed Thought is utterly compelling. Playing multiple characters (a poor man whose cow is stolen from him; the corrupt politician responsible for stealing the poor man’s cow and more; the rebel who seizes power and the honest but flawed lawyer referred to in the show’s title, to whom the poor man turns in his quest for justice), Patrice talks us through the troubled history of a fictional African nation called Lion Mountain.

Well, I say fictional. The handful of Sierra Leoneans in the Cockpit Theatre knew all too well whose stories were being told here. The rest of the audience weren’t left out, either; the beauty of Patrice’s series of monologues is the way he keeps it topical and fresh by absorbing so much of what’s current and relevant to wherever he might be performing. so tonight there are references to everything from Bin Laden to Britain’s Got Talent.

Underneath all that, there are bigger questions being asked. Naimbana challenges his audience to look at all the grey there is in issues of social justice. There is a tension at the heart of the show; between the righteous anger at the Europeans who brought “Gonorrhoea and Jesus” to Africa (to quote Fela Kuti) and a respectful acceptance of the message of good news to the poor and dispossessed that that Jesus preached. Patrice packs enough humour into the show to ensure that it never gets preachy or sounds like an “angry brother” having a rant.

After the show, Patrice spent another half hour answering questions from the audience, during which time he told us about his father – a lawyer who took on many poor people’s cases for no pay, and whose stories were the inspiration for the show’s lead character. That was every bit as engaging as the show itself, and continued in the bar afterwards.

My Road Trip/Hanging Out With the Women of Hope

All the years I lived in Sierra Leone, I was a spoilt city boy who rarely ventured out of Freetown. We had an uncle who worked as an air traffic controller at Lungi Airport, whose family we visited frequently, and my mum worked at the hospital there for a while, so we would always go and see her. But that was about sum total of my trips “upline” (Sierra Leoneans’ technical term for just about anywhere outside Freetown).

I probably wouldn’t have ventured out of Freetown this time round either, were it not for an email from a friend in the USA. I’ve known Paul Neeley for a few years now; we met initially via World Beat (the world music show I used to present on UCB). Paul emailed me to ask if I’d take some time out of my trip to go and visit the headquarters of Women of Hope International – a charity he’s involved with, based in Makeni.

Sierra Leone is divided into four provinces, although it’s only the northern, southern and eastern ones that are called provinces. The western one (where Freetown is located) is known simply as the ‘Western Area’ – but then it is tiny compared to the other three. Makeni is situated about 110 miles east of Freetown (well, most of Sierra Leone is east of Freetown. It’s that ‘Western Area’ thing). It’s Sierra Leone’s fifth largest city, and the capital of Bombali District in the Northern Province.

My old flatmate was the first to reassure me that the trip was easily doable. “You can do it in a day. It’s just three hours’ drive there and three hours back.” Another friend, Valerie (see next blog post), also egged me on to go when I was wavering. Finally, I emailed Kelsey Martin (Women of Hope’s US Programme Assistant, whom Paul had linked me up with) and said I’d try to come up to Makeni on Wednesday, the only free day I had left. The crucial thing for me was that I had to be there and back in a day. However, the Sierra Leone Road Transport Corporation only runs one bus there a day – at 6.00am. I could get there, but would have to wait until the following morning before I could come back. I did have an invitation to stay the night at Women of Hope’s guesthouse, so that wasn’t a problem. But nobody could tell me what time the bus back to Freetown was.

I left home just before five on Wednesday morning, and walked to the SLRTC’s bus station. It was still dark, and rather disconcerting to see the streets of Freetown so empty. Still, empty streets meant that this ‘JC’ could walk without being stopped every 10 seconds and asked if he had any £ or $ he wanted to change, so I made the most of it.

Getting a bus proved to be a total fiasco. According to signs posted all over the bus station, a ticket to Makeni costs 13,000 Leones. None of the buses terminate there, so you have to get the Kabala bus and get off at Makeni. Cool – but when I went to buy a ticket, I was told I had to pay the full Kabala fare (27,000 Leones)! Then when I tried to do that, I was told that there were no tickets and the bus was full. All this after waiting over an hour for the thing to arrive!

While waiting for the bus, I’d been talking to a couple of fellow travellers – in particular this one old man with two white plastic buckets in his hand, who was also waiting for the Kabala bus. After failing to get on the bus, I was ready to pack it in and go back home. The old man wasn’t having it. “Don’t worry,” he said encouragingly. “There are loads of vehicles we can get a ride with; we just need to go to Shell. Come on!” So I walked with him, having completely forgotten where “Shell” was! The old man was a brisk walker; before I knew it, we were at the East End Police station, where we hopped onto a poda-poda headed for Wellington.

We got off the poda-poda at the Shell petrol station in Kissy where, true to the old man’s word, minibus drivers were packing in passengers for journeys out to the provinces. I thanked the old man and signalled to the first person I heard calling for passengers to Makeni. A tall guy in a T-shirt came along and ushered me towards the front seat of a gold Chrysler Voyager.

We set off for Makeni at around 7.30am; me in the front seat with a lady and a little toddler on her lap seated between the driver and myself, an assortment of men, women and children in the back, and Beyonce, Rihanna and several random generic ‘urban’ acts repeated endlessly on the Voyager’s auto-reverse cassette player. The journey was smooth for the most part. However, our driver had seen fit to take more passengers than the number he was legally allowed to, and so he was stopped (and subsequently relieved of a few thousand Leones) at every single Police checkpoint we came to. Shortly after we reached Lunsar (the halfway point of the trip), my Comium mobile rang. It was Kelsey, asking if I had decided to come to Makeni. I told her I was on my way, and we arranged for her to collect me when I arrived.

Shortly after 10.00am, we arrived in Makeni. The vehicles that do this trip use the first NP petrol station as their terminal point, but our driver continued past it, further into town. I was looking for a suitable landmark at which to disembark when a white van with the Women of Hope logo drove in the opposite direction and stopped. I got off and took out my mobile to tell Kelsey she’d just driven past me. We had one of those “Hey! I can see you; I’m over here! I’m the one waving!” conversations; she drove up to where I was; I got into the van and she explained that one of their employees had also just arrived from Freetown and she’d come to collect her. Turns out the lady who’d been sitting next to me in the Chrysler Voyager worked for the very people I was going to meet! Her name was Rebecca and she had been in Freetown with her grandchildren for a few days, attending a family wedding. She does general housekeeping at the guest house, and wasted no time getting lunch ready whilst Kelsey told me all about herself and Women of Hope’s work.

Kelsey is originally from Seattle but recently relocated to Memphis (Women of Hope’s base back in the US is in the South). She’s spent quite some time in Sierra Leone getting things off the ground, and says she’s started to think of Makeni as home. Women of Hope was started by a group of American women who had links to Sierra Leone in one form or other, led by Kim Kargbo, a missionary kid who’s now a missionary herself and married to a Sierra Leonean. Kim had set up three NGOs in Sierra Leone prior to Women of Hope; the idea for Women of Hope came about out of the realisation that most of the NGO/charity work catering for people with disabilities in Sierra Leone tended to focus on men.

“Our goal is to support women with disabilities – spiritually, physically, emotionally, socially and economically,” Kelsey says. “We try to do that in the most grassroots way possible.” They had a period of consultation with local women, at which the women said their three biggest needs were shelter, education for their children, and money for food and business.

Women of Hope act more as facilitators, gathering women together and training them in health & sanitation and income generation. They also give women grants to start small businesses, and run support groups for mothers of disabled children. Right at the heart of their work are a team of local women who have been trained as ‘community health evangelists’ – basically social workers who pass on the training they’ve received to others around them.

Some of Women of Hope’s staff have disabilities themselves. Adama Conteh (their Logistics Officer) is blind, and one of Kelsey’s reasons for wanting to be involved in disability-related work stems from the fact that she was born with one arm. “I do this job to show others that disability doesn’t have to stop you getting on in life,” says Fatmata, Programme Assistant and Field Officer, who has walking difficulties.

Field Workers Fatmata (left) and Melvina (right) at work.

After lunch, Kelsey and I went out on the road with Fatmata and Melvina, the two Field Officers, as they visited women in one of the areas the charity covers. For logistics purposes, Women of Hope have split Makeni up into three geographical areas. The area we went to visit today covered Stocco Road and ‘Oslo’ – a residential area for amputees and disabled people, funded by the Norwegian Government.

'The Chief' holds court.

It was evident from the reception Fatmata and Melvina got that the local women appreciate the work Women of Hope do. They took me to meet Fatu (sorry, I mean ‘Mammy Fatu’), the matriarch of a compound just outside Stocco Road. Mammy Fatu is a larger-than-life bundle of laughs who everyone calls ‘the Chief’. As she joked about with Kelsey and I, little children mucked about and Sama (another older lady) sat making gari.

Field trip over, we headed for the office where I met Ruth Kamara, Women of Hope’s Programme Manager. Ruth used to work for another NGO committed to fighting human trafficking (another area Women of Hope is involved in). She decided to join Women of Hope because of its faith-based ethos, being a Christian herself. Also in the office was Adama, the Logistics Officer. I’d been in Freetown over a week and not had the “So why haven’t you found a wife and fathered a tribe of your own yet?” interrogation from some uncle or aunt. That lucky streak ended in Makeni, thanks to Adama…

After a nice dinner back at the guesthouse, Kelsey dropped me off at the NP station to find a ride home. The back seat of the minivan that took me back to Freetown was nowhere near as comfortable as the Chrysler Voyager had been. But not even that could put a damper on what had been a great day out.

The Women of Hope International staff. (L to R): Fatmata, Melvina, Patricia, Adama, Ruth and Kelsey.

Total ‘small ting’ expenditure on trip: Le 15k (actually, make that 5k. I did give the old man 10 grand, but he never asked for anything; I gave it to him because he genuinely helped me and I wanted to thank him).

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